'Wrecking Crew' documentary featuring Holyoke drummer Hal Blaine set

The Wrecking Crew is a loose collective of US session musicians based in Los Angeles whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. 28K Music lovers will be astonished at the influence The Wrecking Crew wielded over rock and pop music in the 1960s and early 1970s. These unsung instrumentalists were the de-facto backing.

The Wrecking Crew Musicians Behind 100s of Hits Best Classic Bands

1. "Good Vibrations" - The Beach Boys Having worked with Beach Boy Brian Wilson on much of the acclaimed 1966 album, Pet Sounds, the Wrecking Crew were employed again for the band's iconic. The Wrecking Crew were a group of all-purpose, highly revered studio musicians who appeared on thousands of popular records - including massive hits such as "Mr. Tambourine Man" by The Byrds. The Wrecking Crew (2008) - The Beach BoysThe Beach Boys are an American rock band formed in Hawthorne, California, in 1961. The group's original lineup consi. A selection of tracks featuring the legendary session players known as The Wrecking Crew

Behind the Music Behind the Music 'Wrecking Crew' Played Pop's Biggest

The Wrecking Crew Essentials Apple Music Oldies In the '60s and '70s, when producers such as Phil Spector and The Beach Boys' Brian Wilson needed ace studio musicians to flesh out recordings, they called on The Wrecking Crew. The top flight crew of L.A. stu­dio musi­cians known as The Wreck­ing Crew acquired their name, leg­end has it, because they "were wreck­ing the busi­ness for every­one else," writes Janet Maslin at The New York Times ­, mean­ing old­er ses­sion play­ers who couldn't keep up. The Wrecking Crew is a loose collective of US session musicians based in Los Angeles whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session. A New Orleans-born pianist named Mac Rebennack earned much greater fame as Dr. John. Country legend Glen Campbell was also part of this unsung group of musicians for a few years, and as Denny Tedesco — son of Wrecking Crew guitarist Tommy Tedesco — recalled, Campbell's former colleagues couldn't have been prouder of him when he became a successf.

Who Were The Wrecking Crew? Behind The Most Recorded Band In Music

What is The Wrecking Crew? The Wrecking Crew was a group of studio musicians in Los Angeles in the 1960s who played on hits for the Beach Boys, Frank Sinatra, Nancy Sinatra, Sonny and Cher, Jan & Dean, The Monkees, Gary Lewis and the Playboys, Mamas and Papas, Tijuana Brass, Ricky Nelson, Johnny Rivers and were Phil Spector's Wall of Sound. The Wrecking Crew is a legendary group of session musicians who have made a significant impact on the music industry. Formed in the 1960s in Los Angeles, California, this talented collective of individuals performed on countless hit songs, providing their signature sound and expertise to some of the most iconic tracks of all time. Table of Contents The Wrecking Crew. 63 songs • 3 hours, 1 minute If you've listened to American pop music from the 1960s, you've heard the Wrecking Crew, the nickname for a loose collection of session musicians that played anonymously on countless hit records produced in Los Angeles from the late '50s to the early '70s. This playlist is no longer being updated. "The Wrecking Crew," a documentary about the studio musicians who played for Elvis, Sinatra, the Byrds and other bands, shines the spotlight on the price (and benefits) of obscurity.

Butterboy VA The Wrecking Crew [2015] + The Wrecking Crew, Take 2

Share your videos with friends, family, and the world The director of riveting music documentary The Wrecking Crew couldn't believe it himself. The film he began working on three years before the birth of his 16-year-old daughter was finally researched, shot and edited, its kudos-filled festival tour finished, its rights clearances funded and completed, its theatrical run over, its four-CD.