image 1 of 1 Image from Yale University Technical Metadata and APIs DOWNLOAD American Paintings and Sculpture On view, 2nd floor, American Art before 1900 , in which a water spirit gains a human form and soul by marrying the mortal knight she loves. When her husband proves unfaithful, the laws of the water spirits force her to kill him. Chauncey Bradley Ives (December 14, 1810 - 1894) was an American sculptor who worked primarily in the Neo-classic style. His best known works are the marble statues of Jonathan Trumbull and Roger Sherman ( Roger Sherman) enshrined in the National Statuary Hall Collection . Biography The Willing Captive
Lucy Dal Molin Undine Rising from the Waters Study
On View. On View - Stent Family Wing, Level 3, Gallery 311. Rooted in medieval legend, the story of Undine—a mortal but soulless sea spirit—gained prominence in the 1800s through historical fiction and opera. Chauncey Ives depicts the tale's dramatic climax: Undine rises from the water to take revenge on her unfaithful husband. Undine Rising from the Waters by Chauncey Bradley Ives at Yale 's Art Gallery Undine by Albert-Ernest Carrier-Belleuse (ca.1875-1887), Aberdeen Art Gallery Undines are almost invariably depicted as being female, which is consistent with the ancient Greek idea that water is a female element. [7] Undine Rising from the Fountain Chauncey Ives modeled 1880-1882 Chrysler Museum of Art Norfolk, United States White marble seems to dissolve into rippling wet fabric as the water nymph Undine. Chauncey Bradley Ives, Undine, modeled ca. 1880, carved 1884, marble, 77 5 ⁄ 8 x 19 3 ⁄ 8 x 23 in. ( 197. 2 x 49. 2 x 58. 4 cm.), Smithsonian American Art Museum, Museum purchase made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1993.33. Free to use.
Undine Rising from the Waters Chauncey Bradley Ives Inspiração
Undine Rising from the Waters, ca. 1880-1882, by Chauncey Bradley Ives (1810-1894), in the Yale University Art Gallery. See also Image:Undine_Rising_from_the_Waters,_back.jpg. Date 19 December 2006 (according to Exifdata) Source No machine-readable source provided. Own work assumed (based on copyright claims). Author Rome Relationships Associated/Associated This is a marble sculpture of a young woman, Undine, as she reaches up toward heaven out of the waters to receive her immortal soul. She is well proportioned and the. Undine Rising from the Water signed 'C.B. Ives. Fecit. Romae.' (along the base) marble 77 in. (195.6 cm.) high Modeled circa 1880-82. Provenance Eugene Leone Collection, New York. Acquired by the present owner from the above, 1987. Literature Sign In A study of the Sculpture, Undine Rising from the Waters by Chauncey Bradley Ives. "According to medieval lore, undines were Mediterranean sea spirits who lived as soulless mortals." - Yale University Art Gallery
Undine Rising from the Waters High Museum of Art
Undine Rising from the Waters c. 1880 Marble Next Winged Cupid (from Cropsey Album) More images. 1024 x 768 pixels less than 1 MP 148 KBs 767 x 614 pixels less than 1 MP 49 KBs Chauncey Bradley Ives - Undine Rising from the Waters, after 1859, marble, High Museum of Art Date Taken in 2013 Own work Wmpearl Licensing[edit] I, the copyright holder of this work, hereby publish it under the following license: This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication
Undine Rising from the Waters -Chauncey Bradley Ives. Figure 2. "Undine" oil canvas by John William Waterhouse, 1872. Source publication Ondine's curse: the origin of the myth Article Full-text. Chauncey Bradley Ives, "Undine Rising from the Waters"Not Yet Rated. Chauncey Bradley Ives, "Undine Rising from the Waters". 6 years ago. High Museum of Art Atlanta. This is a 360 degree video of Chauncey Bradley Ives's "Undine Rising from the Waters," carved from marble after 1859.
Undine Rising from the Water....Chauncey Bradley Ives Water nymphs
Undine Rising from the Waters c. 1880-92 Marble Yale University Art Gallery, New Haven: The exquisitely carved wet drapery is one of the most notable American examples of see-through illusionism popular in mid-nineteenth-century sculpture. Undine Rising from the Waters represents a departure from the portrait busts and depictions of children that had been popular among wealthy Americans making their Grand Tour. The subject is drawn from the popular novella by Friedrich de la Motte Fouqué, Undine, in which the namesake's water nymph falls in love with a human, but to gain his.
