The Bauhaus Josef Albers, Homage to the Square: "Ascending," 1953, oil on composition board, 110.5 × 110.5 cm (Whitney Museum of American Art) Though Albers began work on the Homage paintings in 1950, he was introduced to color theory very early in his career, when he enrolled as a student at the Bauhaus in 1920. Homage to the Square The celebrated German artist Josef Albers is known and remembered for many things. However, the most notable is perhaps his world-famous series known as Homage to the Square.
Homage to the Square Wellesley College
Homage to the Square is the title of a series of paintings produced by Josef Albers between 1950 and his death in 1976. In 1971, the paintings were the subject of the first solo show devoted to a living artist at the Metropolitan Museum of Art. [1] There are over 1000 works within the series. [2] Description Josef Albers, Homage to the Square: Soft Spoken, 1969, oil on masonite, 121.9 x 121.9 cm (The Metropolitan Museum of Art, New York) Looking deeply Take a moment to really look deeply at this example of Josef Albers' extensive series, Homage to the Square. Josef Albers Homage to the Square: Ten Works by Josef Albers 1962 Not on view Albers began making his Homage to the Square painting series around 1951. The works here mark one of the first occasions he explored this imagery in print. Homage to the Square, 1958. Oil on Masonite. 16 x 16 in. (40.6 x 40.6 cm) Paintings. 1976.1.34. More like this. Paintings. Josef Albers. Study to Homage to the Square: Consonant, 1957. Josef Albers. Study for Homage to the Square: In Wide Light, 1956. Josef Albers. Study to Homage to the Square: Veiled, 1958.
Homage to the Square. Apparition, 1959 Josef Albers
Paul Klee b. 1879, Münchenbuchsee, Switzerland; d. 1940, Muralto-Locarno, Switzerland Title (From the Song of Songs) Version II Date 1921 Medium Ink and watercolor on paper, with watercolor on cardboard mount Dimensions sheet: 6 7/16 x 6 7/8 inches (16.2 x 17.4 cm); mount: 10 13/16 x 10 13/16 inches (27.4 x 27.4 cm) Credit Line Homage to the Square is a collection of explorations in color and spatial relationships in which Albers limited himself to square formats, solid colors and precise geometry, yet was able to achieve a seemingly endless range of visual effects. Artwork Details Overview Inscriptions and Markings Provenance Exhibition History References In 1950, at the age of 62, Albers began what would become his signature series, the Homage to the Square. Over the next 26 years, until his death in 1976, he produced hundreds of variations on the basic compositional scheme of three or four squares set inside each other, with the squares slightly gravitating towards the bottom edge. Title: Homage to the Square: With Rays Artist: Josef Albers (American (born Germany), Bottrop 1888-1976 New Haven, Connecticut) Date: 1959 Medium: Oil on Masonite Dimensions: 48 × 48 in. (121.9 × 121.9 cm) Classification: Paintings Credit Line: Arthur Hoppock Hearn Fund, 1959 Accession Number: 59.160
Study for Homage to the Square Beaming, 1963 Josef Albers
Josef Albers Homage to the Square: Silent Hall 1961 Not on view In 1950, while teaching fine arts at Yale University, the German-born Albers began his most extensive and well-known series, Homage to the Square—a rigorously formulaic project comprising more than one hundred paintings and prints and developed over twenty-five years. Homage to the Square painting series by Albers Learn about this topic in these articles: discussed in biography In Josef Albers His best-known series of paintings, Homage to the Square (begun in 1950 and continued until his death), restricts its repertory of forms to coloured squares superimposed onto each other.
Abstract — geometric Object Number 1969.47.51 Linked Open Data https://edan.si.edu/saam/id/object/1969.47.51 Artwork Description A mathematical formula seems an odd starting point for an artist, but this is the way Josef Albers began more than one thousand panels he called Homage to the Square. In addition to being a teacher, Albers was an active abstract painter and theorist, best known for his series Homage to the Square, in which he explored chromatic interactions with nested squares, meticulously recording the colors used.
Josef ALBERS Homage to the Square, 1977 Original screenprint Contemporary Art Plazzart
Homage to the Square: Against Deep Blue Classification Paintings Work Type painting Date 1955 Culture American Persistent Link https://hvrd.art/o/223024 Physical Descriptions Medium Oil on Masonite Dimensions 61 x 61 cm (24 x 24 in.) framed: 62.5 x 62.4 x 3 cm (24 5/8 x 24 9/16 x 1 3/16 in.) Inscriptions and Marks Signed: on recto, l.r.: A 55 Josef Albers' acclaimed body of work "Homage to the Square" is regarded today as one of the most iconic series of twentieth-century art, and Homage to the Square: Yellow Resonance from 1957 is a superlative example. Albers considered color not as the tool to articulate his subject, but as the very content of painting itself.
