Kunst Wie Johann Heinrich Füssli zum Meister des nächtlichen Schreckens wurde SÜDKURIER

Henry Fuseli RA (/ ˈ f juː z ə l i, f juː ˈ z ɛ l i / FEW-zə-lee, few-ZEL-ee; German: Johann Heinrich Füssli [ˈjoːhan ˈhaɪ̯nʁɪç ˈfyːsli]; 7 February 1741 - 17 April 1825) was a Swiss painter, draughtsman, and writer on art who spent much of his life in Britain.Many of his works depict supernatural experiences, such as The Nightmare.He painted works for John Boydell's. Henry Fuseli RA (German: Johann Heinrich Füssli; 7 February 1741 - 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as The Nightmare, deal with supernatural subject-matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery".

Kunst Wie Johann Heinrich Füssli zum Meister des nächtlichen Schreckens wurde SÜDKURIER

Henry Fuseli, (born February 7, 1741, Zürich, Switzerland—died April 16, 1825, Putney Hill, London, England), Swiss-born artist whose paintings are among the most dramatic, original, and sensual works of his time. Fuseli was reared in an intellectual and artistic milieu and initially studied theology. Obliged to flee Zürich because of. Henry Fuseli (FEW-zə-lee, few-ZEL-ee; German: Johann Heinrich Füssli [ˈjoːhan ˈhaɪ̯nʁɪç ˈfyːsli]; 7 February 1741 - 17 April 1825) was a Swiss painter, draughtsman, and writer on art who spent much of his life in Britain.Many of his works depict supernatural experiences, such as The Nightmare.He painted works for John Boydell's Shakespeare Gallery and created his own "Milton. Working during the height of the Enlightenment, the so-called "Age of Reason," the Swiss-English painter Henry Fuseli (born Johann Heinrich Füssli) instead chose to depict darker, irrational forces in his famous painting The Nightmare . In Fuseli's startling composition, a woman bathed in white light stretches across a bed, her arms. The Artist: The painter, draftsman, author, and art theorist Henry Fuseli (Johann Heinrich Füssli) was born in Zürich in 1741. A son of the painter and art historian Johann Caspar Füssli (1706-1782), he received a classical education at Zürich's famed Collegium Carolinum, where his teachers included the influential philologists and Anglophiles Johann Jakob Bodmer and Johann Jakob.

Johann Heinrich Füssli, il pittore del diavolo altmarius

Johann Heinrich Füssli (known as Henry Fuseli) was born in Zürich on February 7th, 1741. He was the second of 18 children born to the Swiss portrait painter, Johann Caspar Füssli and his wife, Anna Elisabeth Waser. Caspar was a collector of sixteenth and seventeenth century Swiss art and passed his appreciation of fine art onto his son. Henry Fusely, Johann Heinrich Fussli, the Younger, Hans Heinrich Füssli, Johann Heinrich Fuseli, Johann Heinrich Füßli, Johann Heinrich Füssli, Johann Heinrich Fusslin, Johann Heinrich Füssly, Henry Fuseli, the Younger Date of birth 1741 Date of death 1825. Artworks Discover this automn the oeuvre of the Swiss-born British painter, Henry Fuseli (Johann Heinrich Füssli, 1741-1825). Comprising sixty works from public and private collections, span through the most emblematic of works by Füssli, the artist of the imaginary and the sublime. From Shakespearean themes to representations of dreams, nightmares, and apparitions, and mythological and Biblical. Henry Fuseli RA was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as The Nightmare, deal with supernatural subject-matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the.

Miltons vision of his wife , F??ssli Johann Heinrich Füssli en reproduction imprimée ou copie

The Nightmare. The Nightmare is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with a demonic and ape-like incubus crouched on her chest. The painting's dreamlike and haunting erotic evocation of infatuation and obsession was a huge popular success. Fuseli greatly admired John Milton's poetry. Here, he was inspired by a short passage of Paradise Lost, where Milton alludes to glimpsing or dreaming of the midnight revels of fairies. A spiral of ethereal fairies swirl in the sky as a shepherd sleeps below. Fuseli hoped to capture the viewer's imagination with his magical subject. Fuseli, Henry (Johann Heinrich Füssli) (1741-1825). Swiss-born painter, draughtsman, and writer on art, active mainly in England, where he was one of the outstanding figures of the Romantic movement.. He was the son of a portrait painter, Johann Caspar Füssli (1707-82), but he originally trained as a priest; he took holy orders in 1761, but never practised. When the artist Henry Fuseli (Johann Heinrich Füssli) died in 1825, he left behind in London's Somerset House an intriguing set of drawings. Though he had a somewhat respectable role in the art establishment and received the honour of burial in St Paul's Cathedral, these drawings represent a more private side to the artist's practice.

Il Caffé dell'Arte Johann Heinrich Füssli La Follia Di Kate 18061807

Johann Heinrich Füssli was born in Zürich, Switzerland, the second of 18 children of the painter and writer Johann Caspar Füssli (1707-1782) and his wife Elisabeth Waser. His sisters Elisabeth and Anna Füssli later became flower painters. Füssli received his first artistic instruction from his father, whose love for art and literature was. The Nightmare by Henry Fuseli, 1781, via the Detroit Institute of Arts . Henry Fuseli (Johann Heinrich Füssli) was an Anglo-Swiss painter (1741-1825) who was more well known in his lifetime for his art history lectures and writing rather than his artwork. However, The Nightmare by Henry Fuseli would gain notoriety in the art world after its exhibition in the Royal Academy in the summer of 1782.