The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512-1516. [1] It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece. Die Gemälde auf zwei feststehenden und vier drehbaren Altar-Flügeln sind das in den Jahren 1512 bis 1516 geschaffene Hauptwerk von Matthias Grünewald (eigentlich Mathis Gothart Nithart, genannt Grünewald) und zugleich eines der bedeutendsten Meisterwerke der deutschen Tafelmalerei.
Isenheimer Altar Matthias Grünewald Idee verf, Renaissance kunst, Aartsengel gabriël
Matthias Grünewald, Isenheim Altarpiece, view in the chapel of the Hospital of Saint Anthony, Isenheim, c. 1512-16, oil and tempera on limewood panels, 376 x 668 cm (Unterlinden Museum, Colmar, France) The macabre and distorted Christ is splayed on the cross, his hands writhing in agony, his body marked with livid spots of pox. Matthias Grünewald, Isenheim Altarpiece by Dr. Sally Hickson Mathis Nithart (or Gothart), known as Matthias Grünewald (painter), Nikolaus of Haguenau (sculptor), The Isenheim Altarpiece, 1512-16, oil and tempera on limewood panels, 376 x 668 cm (Musée Unterlinden, Colmar, France) speakers: Dr. Beth Harris and Dr. Steven Zucker Object of devotion Isenheim Altarpiece, panels painted in oils on a sculpted altarpiece created by German artist Matthias Grünewald about 1512 to 1515. Little is known of Grünewald's life, but he is famous for his undisputed masterpiece, the large folding altar painted for the Monastery of St. Anthony hospital chapel at Isenheim in Alsace, then part of Germany. The Isenheim Altarpiece acted as a source of solace for those who were being treated by the monks and furthermore the way Grünewald depicted the subject matter, specifically Jesus Christ who appeared in a heightened sense of suffering.
Matthias Grünewald, Isenheimer Altar, Innenflügel Isenheim Altarpiece, inner wings a photo
Interpretation of Isenheim Altarpiece One of the greatest Renaissance paintings of the 16th-century, this complex polyptych altarpiece was created by the German artist we now know as Matthias Grunewald, about the same time that Raphael was decorating the Vatican in Rome. The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Niclaus of Haguenau and Matthias Grünewald in 1512-1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. The museum celebrated the 500th anniversary of the work in 2012. March 17, 2023 6:04 pm ET Listen (4 min) Isenheim Altarpiece (1512-16), by Matthias Grünewald Photo: Musee Unterlinden The Musée Unterlinden in Colmar, near the German border in northeastern. The closed exterior of Grünewald's Isenheim Altarpiece depicts the Crucifixion in the central panel. St. Anthony is pictured on one wing, St. Sebastian on the other. On the predella, the base of the altarpiece, is an image of the Lamentation. Many triptych altarpieces in Northern Europe in the fifteenth and early sixteenth centuries were.
Matthias Grünewald Isenheimer Altar ist endlich restauriert WELT
The Isenheim altarpiece. Between 1512 and 1516, the artists Niclaus of Haguenau (for the sculpted portion) and Grünewald (for the painted panels) created this celebrated altarpiece for the Antonite order's monastic complex at Isenheim, a village about 15 miles south of Colmar. This polyptych, which decorated the high altar of the monastery. Matthias Grünewald, Isenheim Altarpiece, 1512-1516, Musée Unterlinden, Colmar, France. The Image of Christ Many are familiar with Christ having a serene, peaceful, and resolute face before his fate, but what Grünewald offers us here goes much further than just illustrating his stigmata.
Matthias Grünewald painted an impressive altarpiece between 1510 and 1515 for the monastery of the Order of St. Anthony at Isenheim, in the Elzas near Colmar. Today, the altar is on display at the Colmar Museum. The wood statues enclosed in the folding altarpiece were carved by Niklas Hagenauer. Das Restauratorenteam bei der Begutachtung eines Matthias Grünewald-GemäldesBild: Museum Unterlinden Colmar Im September 1919 wurde der Isenheimer Altar nach Colmar zurückgebracht.
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"Isenheimer Altar (dritte Ansicht)", öl von Matthias Grünewald (14701528, Germany)
by Matthias GRÜNEWALD The altarpiece is now at the Unterlinden Museum in Colmar, a nearby town. The Isenheim Altar is a complicated structure with four layers of painted surfaces - that is, two sets of folding wings, like a double cupboard, enclosing the final altarpiece, which consists of three carved wood statues of saints. Gottfried Richter, Matthias Grünewald Floris Books , 1998 - Altarpieces, German - 63 pages Grunewald is generally regarded as the greatest painter of the German Renaissance, and his masterpiece - The Isenheim Altar in Colmar - as one of the great works of western art.
