Sir Lawrence Alma-Tadema, OM, RA, RWS ( / ˈælmə ˈtædeɪmə /; [1] born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəˌmaː]; 8 January 1836 - 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873. Lawrence Alma-Tadema is one of the most highly renowned romantic artists of late 19th century Britain. He was born in the Netherlands as Laurens Tadema, to the family of the town notary.
NPG x96472; Sir Lawrence AlmaTadema Large Image National Portrait Gallery
Sir Lawrence Alma-Tadema, (born January 8, 1836, Dronrijp, Netherlands—died June 25, 1912, Wiesbaden, Germany), Dutch-born painter of scenes from everyday life in the ancient world whose work was immensely popular in its time. Sir Lawrence Alma-Tadema British, born The Netherlands 1865 Not on view In the mid-1860s, Alma-Tadema painted a number of subjects set in ancient Egypt, in which convincing archaeological precision and uncanny lifelikeness seem to make the distant past come alive. Sir Lawrence Alma-Tadema primary name: primary name: Alma-Tadema, Lawrence other name: other name: Tadema, Laurence Alma Details individual; painter/draughtsman; printmaker; British; Dutch; Male Life dates 1836-1912 Address 34 Grove End Road, St.John's Wood, London Biography Sir Lawrence Alma-Tadema, , RWS (; born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəˌmaː]; 8 January 1836 - 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873.
Lawrence AlmaTadema Biography & Art The Art History Archive
Genres. Media. 1-20 out of 217. List of all 217 artworks by Sir Lawrence Alma-Tadema. Dutch-born painter who settled in London in 1870 and became a British citizen in 1873. He specialized in historical genre scenes, beginning with medieval subjects, but then—following a visit to Pompeii in 1863—turning to the ancient world. Lawrence Alma-Tadema Jan 8, 1836 - Jun 25, 1912 Sir Lawrence Alma-Tadema, OM, RA was a Dutch painter of special British denizenship. Born in Dronryp, the Netherlands, and trained at the. Recently Added View Sir Lawrence Alma-Tadema's 423 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.
Sir Lawrence AlmaTadema (18361912) FORTUNE’S FAVOURITE Pre raphaelite art, Lawrence alma
Lawrence Alma-Tadema 335 artworks Victorian Neoclassical, Olympian Classical Revivalist painter and draftsman Born 1/8/1836 - Died 6/28/1912 Born in Dronrijp (Friesland, Netherlands) Died in Wiesbaden (Darmstadt, Hesse, Germany) Artworks Biography Relationships Videos Suggested Readings Library Images of the Artist Signatures Products Albums Abstract. When in 1910 the aging Lawrence Alma-Tadema painted The Voice of Spring, he returned to a subject he had dealt with many times: the awakening of nature in springtime. The painting depicts an idyllic landscape belonging to a long-lost golden age and evokes, in the background, a spirit of celebration, dance, and music.
The Roses of Heliogabalus is an 1888 painting by the Anglo-Dutch artist Sir Lawrence Alma-Tadema depicting the young Roman emperor Elagabalus (203-222 AD) hosting a banquet. Subject The painting measures 132.7 × 214.4 centimetres (52.2 × 84.4 in). Sir Lawrence Alma-Tadema. British, born the Netherlands, 1836 - 1912. Alma-Tadema, Lawrence
Sir Lawrence AlmaTadema The Roses of Heliogabalus, 1888 Tutt'Art Pittura • Scultura
Sir Lawrence Alma-Tadema was born as Laurens Tadema on January 8, 1836, in the small village of Dronrijp, in Friesland in the north of the Netherlands. He was the sixth child of Pieter Jiltes Tadema (1797-1840), the village notary, who had had three sons by a previous marriage, and the third child of his mother, Hinke Dirks Brouwer (c. 1800-1863). When Sir Lawrence Alma-Tadema displayed The Roses of Heliogabalus in the Royal Academy Summer Exhibition of 1888, it was warmly received by the public. The public appreciated classical-inspired scenes especially if a moral story could be interpreted. Remember, this is the Victorian era, and unpunished vice would not be tolerated!
