Alexander Calder ( / ˈkɔːldər /; July 22, 1898 - November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1] L01686 Display caption By suspending forms that move with the flow of air, Calder revolutionised sculpture. Marcel Duchamp dubbed these works ' mobiles '. Rather than a solid object of mass and weight, they continually redefine the space around them as they move.
The Calder Mobiles that Asked to be Touched Art & Object
Trained as a mechanical engineer, Alexander Calder revolutionized the world of kinetic sculpture with his suspended and standing mobiles (a name coined by Calder's friend and peer, Marcel Duchamp ). In 1932, bored by the monotony of mechanized movement, Calder introduced a new element of chance to his mobiles. Mobile Alexander Calder American 1941 Not on view Alexander Calder was born to a family of sculptors. His grandfather, Alexander Milne Calder (1846-1923), studied with Thomas Eakins and is famous for the elaborate sculptural decorations of Philadelphia's City Hall. Magnificent mobiles: the art of Alexander Calder Calder pioneered kinetic sculpture with his wafer thin mobiles that can be moved by a child's breath. Ahead of a Tate exhibition, James Hall. Alexander Calder, known to many as 'Sandy', was an American sculptor from Pennsylvania. He was the son of well-known sculptor Alexander Stirling Calder, and his grandfather and mother were also successful artists. Alexander Calder is known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting.
'Mobile', Alexander Calder Tate
Alexander Calder (; July 22, 1898 - November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. Lynne Warren Alexander Calder - Mobiles, Stabiles, Sculptures: In 1931 Calder married Louisa James, a grandniece of author Henry James; the couple eventually had two children, Sandra and Mary. By mid-1933 Calder had returned to New York City. How Artists Are Challenging Alexander Calder's Mobiles So dominant were his dangling masterpieces that others avoided the form, but now, enough time has passed for others to sway beside him.. Alexander Calder's monumental mobile moves solely on the air currents in the East Building's Central Court. The sculptor originally intended the work to have a motor, but the use of advanced, lightweight materials made this unnecessary.
Alexander calder, Modern art, Mobile art
Alexander Calder (1898-1976), whose career spanned more than half a century, continued to reinvent himself well into the later decades of his life. His work was always about motion, literally. by The Metropolitan Museum of Art. How Alexander Calder's "Mobile" injects motion into sculpture | Art, Explained. Share. Watch on. Video from The Metropolitan Museum of Art. Cite this page as: The Metropolitan Museum of Art, "Alexander Calder, Mobile," in Smarthistory, January 27, 2016, accessed December 29, 2023, https://smarthistory.org.
Perhaps no artist has a larger presence at the National Gallery of Art than Alexander Calder. His monumental mobile, commissioned for the opening of the East Building, has become nearly as iconic as the building itself.A part of the East Building renovation and expansion, the Gallery's Tower 2 galleries boast the world's largest display of works by Alexander Calder with more than 40. Between the 1920s and '30s, Calder regularly made long study and work trips to Paris, where he began to participate in the Abstraction-Création group.Finally, in 1932, at the Galleria Vignon - owned by Marie Cuttolì, an avant-garde collector - he exhibited for the first time, presenting thirty mobile works that were to pave the way for other mobiles to come.
Alexander Calder_Mobile Christies Sublime
Alexander Calder has become synonymous with moving sculptures, or as they are famously known, mobiles. He epitomized movement in art and made it playful and abstract. His art was diverse and moved in a myriad of fashions, both figuratively and literally, in the air and on land. Some also stood still. American artist Alexander Calder (1898-1976) is celebrated for revolutionizing sculpture with his renowned mobiles and stabiles, which range from the miniature to the monumental. This exhibition traces Calder's career, highlighting his most important themes, styles, and materials from the 1920s through the 1970s.
