Mathieu Kleyebe Abonnenc. Born 1977, Paris (French Guyana) Lives in Sète, France. Mathieu Kleyebe Abonnenc devotes his focus to the cultural hegemonies upon which the evolution of contemporary societies is based. Through video, photography, installations, drawing, or exhibition projects, he explores the principles behind the dominant presence. Planétarium #6 : Avec Dipesh Chakrabarty et Mathieu Kleyebe Abonnenc. 25-10-2021. 1h 39min 20s. Captation Feuilleton Anne Lafont, Afrotropes : Épisode 4 - Chasse, dialogue avec. 11-02-2021. 54min 15s. Follow us. Subscribe to newsletter.
Mathieu Kleyebe Abonnenc Unifrance
The product of a two-month residency, Mathieu Kleyebe Abonnenc's exhibition at Gasworks took as its starting point an unfinished film by French director Sarah Maldoror, Des Fusils pour Banta (Guns for Banta). Along the way he used this work to navigate post-colonial legacies and the enduring resonance of politically and culturally loaded imagery. Mathieu Kleyebe Abonnenc's practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society. Abonnenc uses video, photography, installation, drawing, and exhibition projects to raise questions about imperial histories and their effects on the former colonies of developed countries. Examining the role. For the artist Mathieu Kleyebe Abonnenc, however, research is far from solemn or dry. It is more like a torrent of associations and obsessions, a method of working that tumbles after captivating leads, loose threads, dead ends, and tunneling digressions. Abonnenc was born in French Guiana and raised in the capital Cayenne. Mathieu Kleyebe Abonnenc (* 1977, Cayenne, French Guyana) deals with colonial history and decolonization in his works. In his research-based artistic practice, moments of political upheaval such as the independence movements in many parts of the African continent in the 1960s take on a special role. For the artist, they mark the beginning of a.
Mathieu Kleyebe Abonnenc Tique publication on contemporary art
To develop his multifaceted oeuvre of film, photography, drawings and sculpture, Mathieu Kleyebe Abonnenc (b. in 1977) takes as his point of departure extensive research on artefacts of colonial and post-colonial history. They serve him as representatives of complex global interrelations and the impact of the latter on the construction of. Mathieu Kleyebe Abonnenc (GF, 1977) is an artist, researcher, exhibition curator and film programmer who investigates topics neglected in the history of colonialism. His work addresses themes of absence, haunting and the representation of violence through processes of extraction and excavation. His practice often involves collaboration between. Mathieu Kleyebe Abonnenc is an artist, curator and researcher interested in exploring the history of the colonial encounter and its effects on memory and identity. In his work as an artist he uses video, drawings, installations and photographs, as well as interviews and archives, to counter collective amnesia and erasure of experiences and. Mathieu Kleyebe Abonnenc in the Collection . Through a multi-faceted approach that encompasses his activities as an artist, researcher, curator and film programmer, Mathieu Kleyebe Abonnenc attempts to explore areas that have been neglected by colonial and post-colonial history. The absence, obsession and representation of violence are just.
Mathieu Kleyebe Abonnenc Tique publication on contemporary art
Mathieu Kleyebe Abonnenc devotes his focus to the cultural hegemonies upon which the evolution of contemporary societies is based. Many objects constitute a collective memory in which the universal principle has been tested for more than a century ago. Each of these elements needs to be constantly renegotiated in order to discover contemporary. Mathieu Kleyebe Abonnenc Forever Weak and Ungrateful 2015. Mathieu Kleyebe Abonnenc (1977, France) Forever Weak and Ungrateful. 2015. Domain Reproduction photomécanique: Techniques Héliogravure. Dimensions 47,4 x 30,7 cm. Acquisition Don de Amis du Centre Pompidou, 2020.
Mathieu Kleyebe Abonnenc was born in French Guyana. He lives and works in Sète (FR). Through a multifaceted approach that includes activities as an artist, researcher,curator and film programmer, Mathieu Kleyebe Abonnenc is committed to exploring areas neglected by colonial and post-colonial history. Absence, haunting and the representation of. French artist Mathieu Kleyebe Abonnenc discusses his exhibition, Cinéma chez les Balantes.Mathieu Kleyebe Abonnenc is a French artist whose work, Cinéma chez.
Mathieu Kleyebe Abonnenc
Mathieu Kleyebe Abonnenc (b.1977, GF) is an artist, researcher, exhibition curator and film programmer who investigates topics neglected in the history of colonialism. His work addresses themes of absence, haunting and the representation of violence through processes of extraction and excavation. Abonnenc aims to reintroduce overlooked. Mathieu Kleyebe Abonnenc, born in 1977 in French Guyana, lives and works in Paris. In 2012, two institutions, the Serralves Foundation (Porto, Portugal) and the Pavilion (Leeds, England), have mounted solo exhibitions for the artist. Abonnenc recently took part in the Paris Triennial in the Palais de Tokyo and in group exhibitions (all in 2012.
