Benglis's place in art history was secured by an infamous double-page advertisement she created and published in Artforum magazine in November 1974. Benglis posed for the camera, her naked, oil-slicked body thrusting provocatively towards the camera as she grasped a giant double-ended dildo between her legs. She was Lynda Benglis, a 32-year-old rising star in the New York art firmament of the early 1970s, Post-Minimal division. The instrument in question was a large, cast-latex double-headed dildo.
15 Badass Art World Heroines Over 70 Years Old HuffPost
1 of 7 Lynda Benglis Summary of Lynda Benglis Though best-described as a sculptor, Lynda Benglis is impossible to align with a single movement or medium. In 1968, she began pouring latex or polyurethane foam onto the floor of her studio and into the corners. The resulting forms were both painterly and sculptural. Not every work in the series is explicit. The first one, which appeared on an announcement for the artist's 1973 exhibition of her 'sparkle knots' sculptures, shows Benglis aged 10 dressed in a Greek Evzone uniform - the traditional garb of the Greek light infantry. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. She currently lives between New York City; Santa Fe; Kastelorizo, Greece; and Ahmedabad, India. Benglis was born in Lake Charles, Louisiana on October 25, 1941. She is Greek-American. Lynda Benglis was about to turn 33, and she wanted her nude self-portrait to run alongside a feature article about her by Robert Pincus-Witten in the November 1974 issue of Artforum. John.
Lynda Benglis Exhibitions Paula Cooper Gallery
Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. [1] Early life Benglis was born on October 25, 1941, in Lake Charles, Louisiana. [2] For Nœuds et nus, pioneering American artist Lynda Benglis (b. 1941) returns to Brussels with a group of recent sculptures in paper and bronze.. Featuring a series of wall-mounted paper sculptures in ethereal nude tones and a large-scale, highly polished golden bronze, the exhibition shines a spotlight on the sensuous tactility at the crux of Benglis' practice. 'For me, everything was plastic. Mutable.' 5 Lynda Benglis, Peitho (2017). Cast pigmented polyurethane. 129.5 x 88.9 x 43.2 cm. Edition of 3 (1/3). Exhibition view: Frozen Gestures, Mendes Wood DM, São Paulo (9 April-29 May 2022). Courtesy Mendes Wood DM. View Details and Enquire Insights Becoming Andy Warhol at UCCA Edge Read More The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. Dustin Aksland 1 By Osman Can Yerebakan Aug. 16, 2019 Memory is as important to the work of Lynda Benglis.
Lynda Benglis, Still in Art’s AvantGarde The New York Times
In November, Artforum published a color photograph of the sculptor Lynda Benglis in the nude. Her skin looks well tanned and liberally oiled. Slim yet decidedly feminine, she has assumed a hip-slung pose with back arched -- a sexy contrapposto. Her hair is short and slicked back. On her lips a pout is becoming a sneer, and there is a hint of. Courtesy Cheim & Read, New York. Since the late 1960s, Lynda Benglis has been celebrated for her vibrant colour and process-oriented abstract art, which includes totemic wax paintings, poured.
Glitter, latex and double dildos: art provocateur Lynda Benglis relives her rollercoaster career Skye Sherwin She electrified the art world of 1970s New York, savaging its macho culture with what. For Nœuds et nus, pioneering American artist Lynda Benglis (b. 1941) returns to Brussels with a group of recent sculptures in paper and bronze. Featuring a series of wall-mounted paper sculptures in ethereal nude tones and a large-scale, highly polished golden bronze, the exhibition shines a
Lynda Benglis' Massive, Drippy Sculptures Bring Storm King To Life HuffPost
I n November 1974, Lynda Benglis placed an advert for her next show in Artforum magazine. It appeared, Playboy-style, in the magazine's centrefold: a photograph of the American artist herself,. New York, New Museum, Lynda Benglis, February-May 2011, p. 232 (bronze example illustrated).. Benglis stands fully and confidently nude, donning only a suntan, an earring and white cat-eye sunglasses. Her left hand is placed on her hip, causing her shoulder to cock up seductively, while in her right hand she grasps a large, flesh-colored.
