Auf Weiss II (Sur blanc II), in English: On White II, is an 1923 oil-on-canvas painting by Russian painter Wassily Kandinsky. It was created when the artist was a teacher at the Bauhaus in Weimar. The painting initially hung in the dining room of Wassily and Nina Kandinsky's apartment at Bauhaus Dessau. Auf Weiss II (Sur blanc II) 1923 lt was this painting inaugurating a new period that Kandinsky chose to adorn the dining room of his Bauhaus apartment in Dessau. Wassily Kandinsky turned increasingly toward geometrical composition while he started to teach at the Bauhaus, a stimulating environment for the artist.
Etude pour Auf Weiss II Centre Pompidou
Auf Weiß II (französisch Sur blanc II) ist ein Gemälde von Wassily Kandinsky aus dem Jahr 1923. Es entstand zu der Zeit, als der Künstler Lehrer am staatlichen Weimarer Bauhaus war. Seit 1976 gehört es als Geschenk von Nina Kandinsky zur Sammlung des Musée National d'Art Moderne im Centre Georges-Pompidou in Paris und trägt dort die Inventar-Nummer AM 1976-855 Details Title: Auf Weiss II (On White II) Creator: Kandinsky, Vassily Date Created: 1923 Physical Dimensions: w 98 x h 105 cm Provenance: Bequest Of Nina Kandinsky, 1976 Subject Keywords:. 105 cm 98 cm On White II is an Early Modernist Oil on Canvas Painting created by Wassily Kandinsky in 1923. It lives at the Centre Georges Pompidou in Paris. The image is in the Public Domain, and tagged Abstract Art. Download See On White II in the Kaleidoscope Wassily Wassilyevich Kandinsky [a] (16 December [ O.S. 4 December] 1866 - 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Born in Moscow, he spent his childhood in Odessa, where he graduated from Odessa Art School.
Auf Weiss II
Auf Weiss II [On white II], 1923 Completed in Weimar, February-April 1923 Oil on canvas, 105 x 98 cm. A canvas from the Bauhaus period that the Kandinskys had hung in their dining room in Dessau, Auf Weiss II is the rework of a 1920 canvas and its theme of intercepting diagonals. However, it also recalls certain paintings of the 1910s that. Auf Weiss II (On White II) (1923) by Kandinsky, Vassily Centre Pompidou In keeping with his search for an internal understanding, the first paintings he produced at the Bauhaus all leaned. Title: Study for Auf Weiss II Creator: Kandinsky, Vassily Date Created: 1922-12-22 Physical Dimensions: 45,4 x 40,4 cm Provenance: Donation de Mme Nina Kandinsky en 1976 Subject Keywords:. label QS:Lde,"Auf Weiss II" Object type painting Description Date 1923 date QS:P571,+1923-00-00T00:00:00Z/9 Medium oil on canvas dimensions QS:P2048,+105U174728 dimensions QS:P2049,+98U174728 Collection 1977 www.centrepompidou.fr Q1895953 : 150020760
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Auf Weiß II ( French Sur blanc II) is a painting by Wassily Kandinsky from 1923. It was created at the time when the artist was a teacher at the Weimar Bauhaus. As a gift from Nina Kandinsky, it has belonged to the collection of the Musée National d'Art Moderne in the Center Georges-Pompidou in Paris since 1976 and bears the inventory number AM 1976-855. In this painting the many dimensions of the color white is used to represent the many possibilities and opportunities available in life. The color black, on the other hand, represents non-existence and death.
Upward (German: Empor) is an oil on cardboard painting created in 1929 by the Russian abstract painter Wassily Kandinsky.Painted at a time when Kandinsky was teaching art at the Bauhaus in Dessau, Germany, it now forms part of the Peggy Guggenheim Collection in the Palazzo Venier dei Leoni, Venice, Italy. Composition VI is a 1913 oil painting on canvas by the Russian artist Wassily Kandinsky, now in the Hermitage Museum, in Saint Petersburg.. The result of 24 studies, it took the painter eight months to complete the large painting. He wanted to depict a flood, a baptism and the theme of destruction and rebirth.
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In Auf Weiss II he further simplies a motif that he had already treated several times that same year: a pair of crossed diagonals with an arrangement of checkerboards, triangles, and quadrilaterals and a triplet of short black lines that emphasizes the principal axis of the composition. Yet though this painting might be the result of a process. En Auf Weiss II (En blanco II), un lienzo del periodo de la Bauhaus que los Kandinsky tenían colgado en su comedor de Dessau, plasma la tensión entre dos líneas en diagonal que emanan de un.
