Bernardino Campi ritrae Sofonisba Anguissola è un dipinto di Sofonisba Anguissola, datato 1559, che rappresenta il pittore Bernardino Campi mentre esegue il ritratto della sua allieva Sofonisba Anguissola. Indice 1 Descrizione e storia 1.1 Educazione all'arte 1.2 La critica d'arte 2 Note 3 Bibliografia 4 Voci correlate 5 Altri progetti Sofonisba Anguissola's Bernardino Campi Painting Sofonisba Anguissola (c.1559) is a reminder that works of art are living objects, bearing traces of their experiences.
Sofonisba Anguissola Bernardino Campi Painting Sofonisba Anguissola
Bernardino Campi Painting Sofonisba Anguissola Object type painting Genre portrait Depicted people Bernardino Campi Sofonisba Anguisola Date circa 1559 date QS:P571,+1559-00-00T00:00:00Z/9,P1480,Q5727902 Medium oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 Dimensions height: 111 cm (43.7 in); width: 110 cm (43.3 in) Sofonisba Anguissola was a female renaissance painter who specialized in portraiture. As one of the first known female artists of the Western world, Sofonisba Anguissola is a very interesting figure indeed. Sofonisba Anguissola painted at least 12 self-portraits during her life, a theme that was not common in the 16th-century. Italian Painter Born: c.1532 - Cremona, Italy Died: November 16, 1625 - Palermo, Sicily, Italy Movements and Styles: Mannerism , The Baroque Sofonisba Anguissola Summary Accomplishments Important Art Biography Influences and Connections Useful Resources Similar Art and Related Pages Public domain Added: 26 May, 2013 by yigruzeltil last edit: 17 Mar, 2023 by xennex max resolution: 1200x1204px View all sizes Bernardino Campi Painting Sofonisba Anguissola Sofonisba Anguissola Date: 1559 Style: Mannerism (Late Renaissance) Genre: portrait Media: oil, canvas Order Oil Painting reproduction Sofonisba Anguissola Famous works
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Help Category:Portrait of Bernardino Campi by Sofonisba Anguissola From Wikimedia Commons, the free media repository Media in category "Portrait of Bernardino Campi by Sofonisba Anguissola" The following 4 files are in this category, out of 4 total. BernardinoCampiPaintingSofonisbaAnguissola.jpg 681 × 700; 167 KB Sofonisba Anguissola was an artist who came from a noble family in Cremona (northern Italy). She is well known for the paintings she made of herself and her family (she was the oldest of seven children). In 1559, she became a lady-in-waiting to the Queen of Spain, Elisabeth de Valois, and continued to produce works while at the court of King. Bernadino Campi (1522-1591) was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the teachers of Sofonisba Anguissola and of Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Since Amilcare Anguissola was not an artist, he took the unusual step of allowing Sofonisba to study under the painter Bernardino Campi when she was about 14. Strategic sisters Please be.
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Sofonisba Anguissola, (born c. 1532, Cremona [Italy]—died November 1625, Palermo), late Renaissance painter best known for her portraiture. She was one of the first known female artists and one of the first women artists to establish an international reputation. Among female painters, she was unusual in that her father was a nobleman rather. The son of a goldsmith, Bernardino Campi began his artistic training in his native Cremona. Period sources indicate that he was an active portraitist in the major capitals of northern Italy, but few of these likenesses survive and almost none of their sitters have been identified with any certainty.
Sofonisba Anguissola (also spelled Anguisciola; c. 1532 - 1625) was an Italian painter of the Renaissance. After her initial training, she met Michelangelo while in Rome when she was 23. He recognized her talent and afterwards informally trained her. We would like to show you a description here but the site won't allow us.
Day 77 Sofonisba Anguissola dr richard stemp
The 50 or so securely attributed paintings and drawings of hers, of which at least 13 are self-portraits, include Bernardino Campi Painting Sofonisba Anguissola (c. 1550), The Chess Game (1555), Boy Pinched by a Crayfish (1557), Portrait of a Lady and Madonna Nursing her Child (1588). Sofonisba was apprenticed to the Cremonese master, Bernardino Campi. In the long tradition of painters appearing in their canvases, later epitomised by Diego Velázquez in Las Meninas, she painted herself on to the easel of her teacher, who, turning away from his supposed portrait of Sofonisba, stares out towards the viewer. This particular.
