Carlo Scarpa, The exhibition design of Palazzo Abatellis in Palermo, 1953-54. Views, drawings and details Palazzo Abatellis (also known as Palazzo Patella) is a palazzo in Palermo, Sicily, southern Italy, located in the Kalsa quarter. It is home to the Galleria Regionale della Sicilia, the Gallery of Art for the Sicilian region. History Atrium of the palazzo, photo by Paolo Monti, 1961 St. Augustine by Antonello da Messina
palazzo abatellis Carlo scarpa, Art galleries architecture, Interior
Al termine del restauro di Palazzo Abatellis ad opera di Armando Dillon (1953), venne richiesto a Carlo Scarpa, che da lì a tre anni avrebbe iniziato a lavorare sulla sua opera più importante (Museo di Castelvecchio), di intervenire presso questo edificio, sito in Palermo, per crearne un'area espositiva. Jacopo Famularo Add to collection Carlo Scarpa, Tomba Brion, San Vito d'Altivole (1978). Photo by Filippo Poli Nearly 20 years before, Scarpa had demonstrated his diviner-like talent with the transformation of Palazzo Abatellis into the prestigious venue of the Regional Museum in Palermo. Viste, disegni e dettagli dell'allestimento di Carlo Scarpa a Palazzo Abatellis, Palermo Sul microscopico dettaglio si addensano le attenzioni tattili dell'esperto architetto-artigiano, nelle gocce delle saldature dei ferri giustapposti, fresate e sagomate con un semplice raccordo, nelle viti che tengono serrate le doghe dei carabottini. Carlo Scarpa and the museum tour of Palazzo Abatellis Sicily is not only remembered for Baroque architecture or the temples of the Greek colonies. This region is home to many celebrated contemporary works that speak of new stories brought by numerous artists and architects who chose to tell a new tale, a new design in an already prosperous land.
Carlo Scarpa Palazzo Abatellis 19531954 Carlo scarpa, Palazzo
Carlo Scarpa l Palazzo Abatellis, Palermo, 1953-1954 - YouTube 0:00 / 13:56 Carlo Scarpa l Palazzo Abatellis, Palermo, 1953-1954 jnoo 181 subscribers Subscribe Share 1.1K views 1. 31 March 2017 In search of a lost procedure Alice Piciocchi In a compelling historical investigation, architect Santo Giunta offers an alternative account of Carlo Scarpa's design for the Regional Gallery of Palazzo Abatellis in Palermo "A masterpiece. The best museum design I have ever seen in my entire life." Carlo Scarpa (1906-1978) 'had the power to give the form of a work of art to even the most banal things', wrote engineer Carlo Maschietto, Scarpa's Carlo Scarpa (2 June 1906 - 28 November 1978) was an Italian architect and designer. He was influenced by the materials, landscape, and history of Venetian culture, as well as that of Japan. [1]
Carlo Scarpa · Palazzo Abatellis Ancient Architecture, Sustainable
Italian architect Carlo Scarpa was asked to renovate the 15th-century Palazzo Abatellis into the Galleria Regionale della Sicilia of medieval art. Quickly, too, but no shortcuts were taken. Palazzo Abatellis - Atlante architettura contemporanea Palazzo Abatellis Place: Palermo, via Alloro, 4 Authors: Mario Guiotto, Armando Dillon (I restoration); Carlo Scarpa (II restoration and museographic exhibition); Maria Santa Giunta (III restoration); Guido Meli (extension)
Installation by Carlo Scarpa at Galleria Nazionale della Sicilia in Palazzo Abatellis 07/11/2022 Roberto Scichilone The Galleria di Palazzo Abatellis is a set of staging inventions and conceptual attentions. First, for space requirements and fruition, we have identified a selection of the most significant works to be exhibited. Seek the blue of the sky - this is an exhortation from Carlo Scarpa to comprehend being part of a place. In particular, in the re-adaptation of Palazzo Abatellis, he proposed solutions and hypotheses for its re-use in order to redefine an organizational principle upon which to base the existing space and from which rules emerge which, in his treatment, give meaning to the entire physical.
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The current order of the rooms in Palazzo Abatellis comes from a collaboration between Giorgio Vigni and the Venetian architect Carlo Scarpa, during 1953-1954. The main goal was "allowing the Palace and its content to coexist in harmony", according to a project that Scarpa was planning in Venice, while Vigni was sending some drafts from Palermo. 8 Santo Giunta, Carlo Scarpa. Una [curiosa] lama di luce, un gonfalone d'oro, le mani e un viso di donna. Riflessioni sul processo progettuale per l'allestimento di Palazzo Abatellis, 1953-1954 (Venice: Marsilio, 2016). 9 Piccoli and Graziani, Palazzo Abatellis Palermo, 45. 10 Piccoli and Graziani, Palazzo Abatellis Palermo, 37.
