Sherman continued in this vein in 1994, with a series for Rei Kawakubo's Comme des Garçons label, where she appears - along will dolls and prosthetics - in the designer's clothes and heavy, theatrical-style make-up, subverting the idea of the fashion model with darkly surreal imagery. In 1994, Cindy Sherman produced a series of photographs for the clothing company Comme des Garçons that break virtually every rule of fashion photography.
Comme des Garcons Cindy Sherman CIndy Sherman, Rei Kawakubo, CDG
Comme des Garçons shirt campaign by Cindy Sherman 4/42 Comme des Garçons shirt campaign 5/42 Comme des Garçons campaign Fall 1995 6/42 Comme des Garçons campaign Spring/Summer 1993 7/42 Comme des Garçons special sweater campaign 8/42 Comme des Garçons fragrance campaign Emily Chan F IS FOR FRAGRANCE. Comme des Garçons generates around $220 million a year in revenues, and a key part of that is their fragrance division. Under the supervision of Adrian Joffe (See J: Joffe), the brand released it's first 'anti-perfume', Odeur 53, in 1998. It smelt of oxygen, nail polish and burnt rubber. Cindy Sherman, a longtime fan who's collaborated with Kawakubo, adds that "she doesn't answer to anyone, doesn't care if her designs are wearable or functional, much less salable." Stella Ishii, who worked for Comme des Garçons in the '80s and early '90s, would travel to Kawakubo's stores around the country and explain the designs. She has collaborated with seemingly everyone from Comme des Garçons to Supreme. As she was installing the retrospective, Page surprised herself.. Cindy Sherman, Untitled #607, 2020, polyester.
COMME DES GARCONS 1993 Vintage Runway black voluminous shrug Cindy
This striving, posing, highly public land is a foreign one to Sherman, an artist lauded as much in fashion as in the art world (her first international project was 1994's postcard series for. Rei Kawakubo, Founder of Comme des Garçons In 1994 Cindy Sherman and Rei Kawakubo collaborated in what could only be described as the most fruitful and synergistic of partnerships between two successful women, each distinct artists in their own right. Fashion, 1983 In 1983 Sherman produced a series of fourteen photographs initiated by an Interview magazine advertising campaign for the clothing store Dianne B. Untitled #122, Cindy Sherman,. Cynthia Morris Sherman (born 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.. Her breakthrough work is often considered to be the collected Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media.
Comme des Garcons Cindy Sherman (Poster) CIndy Sherman, Rei Kawakubo
French Vogue's October issue, marking its 90th anniversary, will be a vrai whopper, and très collectible, too. A year later, partnering with Ralph Davies Lewis, she opened the first freestanding Comme des Garçons boutique in America. Designed by Rei Kawakubo, it was located in an old Con Ed building.
Cindy Sherman: The original selfie queen Courtney Tenz 02/12/2019 Using herself as model, American photographer Cindy Sherman critiques our contemporary views of identity and the role of. Sherman, who is without a doubt one of the definitive artists of the past half-century, has her own ties to the fashion industry - famously working with Comme des Garçons, serving as inspiration for designers including Raf Simons, and even shooting herself as a street style star for Harper's Bazaar.
COMME DES GARCONS 1993 Vintage Runway black voluminous shrug Cindy
Born in 1942 in Tokyo, Rei Kawakubo founded fashion brand Comme des Garçons in 1969. She commands considerable clout in 1981's Paris - every contemporary designers had tremendous respect for her. Suzy Menkes declared her to be one of the most influential designers in the 20th century, and this was echoed by Marc Jacobs. Original Japanese advertising campaign postcard featuring an image from Cindy Sherman's 1994 campaign for Comme des Garçons, where the American artist employed dolls and prosthetics to create dark, subversive fashion imagery.