Francesco Maria del Monte, full name Francesco Maria Bourbon del Monte Santa Maria, (5 July 1549 - 27 August 1627) was an Italian cardinal, diplomat, and connoisseur of the arts. [1] Francesco Maria del Monte, full name Francesco Maria Bourbon del Monte Santa Maria, was an Italian cardinal, diplomat, and connoisseur of the arts. His fame today rests on his early patronage of the important Baroque master Caravaggio, and on his art collection which provides provenance for many important works of the period.
Cardinal Francesco del Monte by LEONI, Ottavio
1549-1626 Biography Francesco Maria del Monte, cardinal from 1588 and patron of the arts. He was born in Venice. A friend of Ferdinando de Medici, he was a diplomat, a lover of music, and one of Caravaggio's first patrons. He lived in the Palazzo Madama in Rome. Bibliography Francesco Maria Del Monte, full name Francesco Maria Borbone Del Monte (5 July 1549 - 27 August, 1627) was an Italian cardinal, diplomat and connoisseur of the arts. His fame today rests on his early patronage of the important Baroque master Caravaggio, and on his art collection (the Del Monte collection) which provides provenance for many important works of the period. Francesco Maria del Monte (1549-1626) - a cardinal full of passion for alchemy, music and painting Casino Ludovisi, painting by Caravaggio, commissioned by cardinal del Monte, fragment It was through Spata that Caravaggio came to the attention of his most-important early patron, Francesco Cardinal Maria del Monte, who lived in the nearby Palazzo Madama. Between them, the painter and his dealer concocted a plan to attract the notice of del Monte, a prominent collector who regularly passed Spata's shop.
Francesco Monte Francesco Monte A Singer Here Are The Images
Commissioned by Cardinal Francesco Maria del Monte in 1597 for the ceiling of his alchemical laboratory, this oil on plaster work is the only mural painting by Caravaggio. Though known to the art biographer Bellori in the late 17th century, the ceiling was at some point covered, and rediscovered only in 1969 by Giuliana Zandri.. The canvas is recorded among the possessions inventoried on the death of the artist's first important patron in Rome, Cardinal Francesco Maria del Monte, and again on the death of his heir, Uguccione del Monte in 1626. In 1628, the date of a further inventory, it was sold, along with other paintings, to pay some of the Cardinal's heir's. Francesco Maria del Monte's palace on the Via di Ripetta following his death on August 27, 1626.4 The inventory was begun in February 1627, and the section that lists the Siren is dated April of that year. As representative for the Grand Duke of Tuscany, Del Monte was a powerful member of the The turning point in Caravaggio's life and work came when he met his first patron, Cardinal Francesco Maria Del Monte, in whose residence - the Palazzo Madama - he lived from 1597 to 1601. He painted a number of works for Del Monte, including the Head of Medusa in the Galleria degli Uffizi, and the Fortune Teller in the Pinacoteca.
Francesco Maria del Monte Biography Italian Cardinal, diplomat and
Caravaggio's contemporary Giovanni Baglione recorded that the artist painted "a concert, with some youths portrayed from nature very well" immediately after joining the household of his first major patron, Cardinal Francesco Maria del Monte. There his early masterpiece The Cardsharps came to the attention of the influential Cardinal Francesco Maria del Monte, who not only purchased it but also offered the artist quarters in his palace. Caravaggio was thus introduced to the elite stratum of Roman ecclesiastical society, which soon gave him his first significant opportunity to work.
Madrid, Spain This painting was almost certainly commissioned in Rome by Caravaggio 's first patron, Cardinal Francesco Maria del Monte. Captured in a strikingly natural pose, the figure of St. of Cardinal Francesco Maria del Monte (1549-1626; Figures 1, 2).' Two of these paintings were ac-tually listed in the cardinal's collection, The Musicians (Figure 3) and The Lute Player (Figure 4),2 while two others-another Lute Player (Figure 5) and the Amor Vincit Omnia in Berlin-belonged to a neighbor of Del Monte's, the Marchese Vincenzo.
RETROSCENA Francesco Monte verso Tale e Quale Show
The second work was painted for his other major patron in Rome, Cardinal Francesco Maria del Monte. Upon examining it via X-ray, researchers learned that it was based on a tracing of the former work, then significantly modified. Caravaggio replaced the fruits and blooms with a spinettina on the table and a caged songbird, now darkened by time. He eventually set up on his own in 1595 and found a patron, Cardinal Francesco del Monte, who not only gave him board and lodging but opened the door to many commissions. Boy with a Basket of Fruit is a portrait of Caravaggio's friend, the Sicilian painter Mario Minniti, as a young man.
