La Notte Movie Reviews

La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with Umberto Eco appearing in a cameo). Filmed on location in Milan, the film depicts a single day and night in the lives of a disillusioned novelist (Mastroianni) and his alienated wife (Moreau) as they move through various. La Notte: Directed by Michelangelo Antonioni. With Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki. A day in the life of an unfaithful married couple and their steadily deteriorating relationship.

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Michelangelo Antonioni was a cinematic cubist. Fragmenting time and space, the Italian master created a potent new language for storytelling, and in the process charted a topography of modern ennui. La notte. This psychologically acute, visually striking modernist work was director Michelangelo Antonioni's follow-up to the epochal L'avventura. Marcello Mastroianni and Jeanne Moreau star as a novelist and his frustrated wife, who, over the course of one night, confront their alienation from each other and the achingly empty bourgeois. La notte (1961) The rain arrives briefly and seems to wash inhibition away for a time. Water falls onto patios and into a swimming pool. It fills the silence for a moment. It's no wonder Lidia walked earlier. It's all that's left to do. When the party's over and the night is leaving, Lidia and Giovanni wander again. The new restoration of Michelangelo Antonioni's LA NOTTE, starring Jeanne Moreau, Marcello Mastroianni, and Monica Vitti, opens Wednesday, September 14 at Ne.

La Notte (1961) poster, Italian Original Film Posters Online

La Notte is very content to be a film seemingly about the mundane in the bourgeois world of an Italian couple. But what makes it worthwhile is that the time that Antonioni gives for the scenes and actors to breathe- ironically enough considering their social and intimate repression- allows for some curious moments to slip through (some of his best directed). 1961's La Notte is perhaps the most accessible film of the four, as it does not abandon its conventional story about a marriage in crisis. Retaining a realistic surface, Antonioni observes his disaffected husband and wife through their subdued, muted behaviors. Their feeling of emotional deadness is never difficult to understand. The original trailer in high definition of La Notte directed by Michelangelo Antonioni. Starring Jeanne Moreau, Marcello Mastroianni, Monica Vitti and Bernha. Picture 9/10. A long time coming (L'Eclisse was released by Criterion 8 years ago, L'Avventurra 4 years before that) Criterion finally releases Michelangelo Antonioni's La notte on Blu-ray in the aspect ratio of 1.85:1 on this dual-layer disc.The high-definition transfer is presented in 1080p/24hz. This is an absolute stunner of a transfer: clean, natural, sharp, brilliant contrast.

Film Forum · LA NOTTE

La Notte, the middle child of the alienation trilogy,. La Notte is a film about how we value life and the questions death gives us. It presents broken, detached people with nowhere to go if they want to escape their situation. Responsibility depresses us and compresses our lives, we want irresponsibility so we can live freely but our head. La Notte is a film which is primarily about a couple who want to separate but who cannot bring themselves to do so. The sterility of the world around them and the unceasing ennui of their stifled bourgeois milieu reflect the barren emptiness of their love for one another. Giovanni, a writer on the brink of celebrity, demonstrates his irresolute. Antonioni never made anything better than La Notte, the centrepiece of the trilogy, superbly shot in black and white by Gianni Di Venanzo, the key cinematographer of his time. Set during a single. Review: La Notte. It remains at once the most bracingly concrete and amorously diffuse of Antonioni's films. For all the discussion over the decades of Michelangelo Antonioni's high-minded, abstractionist tendencies, he is, in many of the same ways, one of the most literal of filmmakers. His most celebrated succession of work, a trio of.

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La Notte is the middle film in Italian director Michelangelo Antonioni's loose trilogy on relationship ennui, a portrait of modern love now half a century removed. Though the film is "old. "La Notte" is a thought-provoking film that delves into the complexities of human relationships and the existential crisis of modern life. It requires patience and an appreciation for introspective storytelling. Fans of Antonioni's work and those interested in Italian cinema should not miss this visually stunning and emotionally resonant.