Man Ray (Emmanuel Radnitzky) has 193 works online. There are 28,602 photographs online. Installation views Overview Signatures, Inscriptions, and Markings Provenance Exhibition History References Title: Rayograph Artist: Man Ray (American, Philadelphia, Pennsylvania 1890-1976 Paris) Date: 1922 Medium: Gelatin silver print Dimensions: 23.9 x 17.8 cm (9 7/16 x 7 in.) Classification: Photographs
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Overview Signatures, Inscriptions, and Markings Provenance Exhibition History References Title: Rayograph Artist: Man Ray (American, Philadelphia, Pennsylvania 1890-1976 Paris) Date: 1923-28 Medium: Gelatin silver print Dimensions: Image: 49 x 39.8cm (19 5/16 x 15 11/16in.) Classification: Photographs Man Ray (Emmanuel Radnitzky) has 193 works online. There are 28,447 photographs online. Installation views We have identified these works in the following photos from our exhibition history. Photography 1839-1937 Mar 17-Apr 18, 1937 1 other work identified Sixty Photographs: A Survey of Camera Esthetics Dec 31, 1940-Jan 12, 1941 Man Ray (born Emmanuel Radnitzky; August 27, 1890 - November 18, 1976) was an American visual artist who spent most of his career in Paris. He was a significant contributor to the Dada and Surrealist movements, although his ties to each were informal. He produced major works in a variety of media but considered himself a painter above all. Art terms Rayograph Rayograph A term invented by Man Ray, in which he merged his name with the word "photograph" to describe his particular approach to the technique of making photograms.
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Man Ray Rayograph 1924 Not on view Date 1924 Classification Photographs Medium Gelatin silver print Dimensions Image: 11 5/8 × 9 5/16in. (29.5 × 23.7 cm) Accession number 97.140.2 Edition Unique Credit line Whitney Museum of American Art, New York; gift of John Steffens Rights and reproductions Photography Man Ray (Emmanuel Radnitzky) has 193 works online. There are 28,602 photographs online. Licensing Man Ray (Emmanuel Radnitzky). Rayograph. 1922. Gelatin silver print. 9 3/8 × 7" (23.8 × 17.8 cm). Abby Aldrich Rockefeller Fund. 255.1935. © 2024 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris. Wikipedia entry Getty record Associated art terms include Dada, Rayograph, and Surrealism. Works 193 works online Man Ray (Emmanuel Radnitzky) Untitled Overview Signatures, Inscriptions, and Markings Provenance Notes Exhibition History References Title: [Rayograph; Comb, Straight Razor Blade, Needle and Other Forms] Artist: Man Ray (American, Philadelphia, Pennsylvania 1890-1976 Paris) Date: 1922 Medium: Gelatin silver print Dimensions: 22.4 x 17.5 cm. (8 13/16 x 6 7/8 in.)
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1. Untitled with a Spring Man Ray, Untitled, rayograph, 1922. Wikimedia Commons (public domain). It has never been my object to record my dreams, just the determination to realize them. (1945) 2. Untitled with Roll of Film Man Ray, Untitled, rayograph, 1923, Museum of Modern Art, New York, NY, USA. ca 1921-1928 (made) Artist/Maker Man Ray (photographer) Man Ray was an artist of enormous international standing, who worked in many media including photography. He began to make rayographs when he moved to Paris in 1921. Rayograph was Man Ray's name for photogram, a type of photograph made without a camera or a lens.
Man Ray American Photographer, Sculptor, Painter, and Filmmaker Born: August 27, 1890 - Philadelphia, Pennsylvania Died: November 18, 1976 - Paris, France Cubism Dada Surrealism Dada and Surrealist Photography Surrealist Sculpture "Nature does not create works of art. Man Ray began making photographs in the 1920s, in the midst of the Dada movement. Through an accident in the darkroom, he soon discovered a new means of creating photos without a camera.
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Man Ray and Tzara were neighbors and cohorts living in the same hotel at the time, and Tzara was a presence when Man Ray began making his first "Rayographs," a cameraless photographic process he rediscovered and named after himself. 3 The Rayograph compositions reproduced in Champs Délicieux were made with a variety of personal effects. Man Ray began making photographs in the 1920s, in the midst of the Dada movement. Through an accident in the darkroom, he soon discovered a new means of crea.