Jackson Pollock One: Number 31, 1950 1950 On view MoMA, Floor 4, 401 The David Geffen Galleries One: Number 31, 1950 exemplifies at a grand scale the radical "drip" technique that defined Pollock's Abstract Expressionist style. Moving around an expanse of canvas laid on the floor, Pollock flung and poured ropes of paint across the surface. One: Number 31, 1950 is a painting by American painter Jackson Pollock, from 1950. It is one of the largest and most prominent examples of the artists Abstract Expressionist drip-style works. [1]
Jackson Pollock’s ‘One Number 31, 1950’ Restored by MoMA
One: Number 31, 1950 is a masterpiece of the 'drip' technique and among the largest of Pollock's paintings. Begun approximately three years after his first painting in this style, the work is evidence of the artist's skill and technical prowess. Jackson Pollock's 'One: Number 31, 1950' Restored by MoMA - The New York Times A Pollock Restored, a Mystery Revealed James Coddington, left, chief conservator of the Museum of Modern Art, gained. Conservation: Jackson Pollock, One: Number 31, 1950 by The Museum of Modern Art Video from The Museum of Modern Art eighteen-foot-wide One: Number 31, 1950 comes as a big surprise to anyone who visits the museum's painting galleries chronologically. When One is finally reached, it looks intentionally revolutionary, assertively diferent from every-thing earlier except Pollock's own works—more extreme in abstraction and more engulfing in scale.
One Number 31 (1950) by Jackson Pollock. MoMA The Museum of Modern Art
One: Number 31 Jackson Pollock Date: 1950 Style: Action painting Period: Drip period Genre: abstract Media: enamel, oil, canvas Location: Museum of Modern Art (MoMA), New York City, NY, US Dimensions: 530.8 x 269.5 cm References Jackson Pollock. One: Number 31, 1950. 1950 | MoMA: www.moma.org Tags: Brown Soil Rock Jackson Pollock Famous works Jackson Pollock, Autumn Rhythm (Number 30) Jackson Pollock, Mural. Paint Application Studies of Jackson Pollock's Mural. "One: Number 31, 1950" by Jackson Pollock, 1950 | MoMA Education. Lee Krasner, Untitled. Robert Motherwell, Elegy to the Spanish Republic No. 57. Franz Kline. The Painting Techniques of Franz Kline. Hedda Sterne, Number 3—1957. Narrator: The artist Jackson Pollock made One: Number 31, 1950 in 1950, using oil and enamel paint on canvas. The painting measures eight feet, 10 inches high and 17 feet, six inches wide. In metric units, it is about 270 centimeters high and 531 centimeters wide. One: Number 31, 1950 is a masterpiece of the "drip" technique and among the largest of Pollock's paintings. Begun approximately three years after his first painting in this style, the work is evidence of the artist's skill and technical prowess.
ONE Number 31, 1950, Jackson Pollock, MOMA, Museum of Modern Art, New
One - parentheses Number 31. Painted in 1950 by American painter Jackson Pollock, 1912-1956. Oil and enamel on canvas, eight feet ten inches high by seventeen feet six inches wide. 270 x 531 cm. This picture hanging on this wall is painted on a very large, wide canvas. If you stand in the middle, it seems to expand indefinitely on either side. Expand/collapse global hierarchy. Bookshelves. 13: 1907-1960—Age of Global Conflict Part II. 13.32: Pollock, One- Number 31, 1950.
We're in front of Jackson Pollock's
One: Number 31, 1950 We're working on this painting to restore it and there will be several steps to that restoration. The first steps are the cleaning of the surface. This has included dry cleaning with dry sponges. We're now at a stage in the process where we are surface cleaning it with moistened. MoMA School Programs Educator Grace Hwang discusses her approaches for exploring Jackson Pollock's "One, Number 31, 1950" with students.
One Number 31 (1950) by Jackson Pollock. MoMA The Museum of Modern Art
Though self-reflexive in nature, they readily inspire larger interpretations; the explosive, allover expanses of Number 1A, 1948 (1948) and One: Number 31, 1950 (1950) can be seen as registering a moment in time marked by both the thrill of space exploration and the threat of global atomic destruction. Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Jackson Pollock's One: Number 31, 1950. Jackson Pollock, One: Number 31, 1950, Oil and enamel paint on unprimed canvas, 1950 (MoMA)
