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Sant'Agnese in Agone (also called Sant'Agnese in Piazza Navona) is a 17th-century Baroque church in Rome, Italy. It faces onto the Piazza Navona, one of the main urban spaces in the historic centre of the city and the site where the Early Christian Saint Agnes was martyred in the ancient Stadium of Domitian. Religious services HOLY MASS: SATURDAY: 7:00 p.m. SUNDAY: 12:15 p.m. and 7:00 p.m. HOLY DAYS: 12:15 p.m. and 7:00 p.m. In Time of Lent, a 10 a.m. Spanish-language Mass is added to Sunday. Sung… Multimedia archive

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Sant' Agnese in Agone Of ancient foundation, the church of Sant' Agnese in Agone was rebuilt by Girolamo Rainaldi and his son Carlo, at the behest of Pope Innocent X (r. 1644-55), whose family palace stood next door. In 1653 the pair were replaced by Francesco Borromini, who added the splendid concave facade. Sant'Agnese in Agone - Official website Contatti Gli eventi culturali a Sant'Agnese in Agone sono a cura del Rettore di Sant'Agnese in Agone, assieme ai vari responsabili delle associazioni musicali. Per informazioni contattare il numero: Rettoria: +39 06… Read More Le origini The Baroque church of Sant'Agnese in Agone was commissioned by Pope Innocent X, of the Doria Pamphilj family. It stands on the site of a much older church dedicated to St. Agnes. According to popular belief, she was martyred on this very spot. History of the Church of Sant'Agnese Origins P iazza Navona is an extraordinary urban expression of the Roman Baroque, but with an overall layout dating from the time of the ancient Stadium of Domitian (81-96 AD). T he stadium, considered one of the most important structures of its era, was probably still in use as R ome entered decline, in the 5th century.

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The crypt, or sacellum infimum, is the only surviving part of the ancient church constructed at the place where Saint Agnes was martyred. Access is by a stairway to the right of the altar of the Chapel of Saint Agnes, which is itself designed by Borromini. Since at least the 7th century, the crypt has been venerated as the site where the young. Chapel of Saint Agnes. As part of the revisions to the plans for the church following the death of Pope Innocent X, the decision was made to dedicate a chapel to Saint Agnes, rather than the main alter, with the chapel being placed closer to the site of her martyrdom. Here, within a series of false perspectives, we see the statue of the church. Address Piazza Navona Timetables For the timetable of the masses and visiting conditions, please consult the contacts. Contacts Email: [email protected] Telephone: 06 68192134 Web site: www.santagneseinagone.org Interactive map Choose events and services nearby + - Leaflet | © OpenStreetMap contributors Not to miss (12) Phone: (212) 854-3044 Email: [email protected] 824 Schermerhorn Hall, MC 5517 Columbia University, New York, NY 10027

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St. Agnes is widely known as the patron saint of young girls. She is also the patron saint of chastity, rape survivors and the Children of Mary. About the Church of Saint Agnes in Agony (Sant'Agnese in Agone) The crypt, or sacellum infimum, is the only surviving part of the ancient church constructed at the place where Saint Agnes was martyred. Sant'Agnese in Agone (Church of St. Agatha at the Circus Agonalis) Piazza Novona, Rome, Italy Completed: 1672 Style: Baroque 2002 Photographs 2013 Photographs TEXT Beneath Illustrations (Interior photographs not allowed) 2002 Photographs Sant'Agnese in Agone, a Baroque church in Rome's Piazza Navona, was built on the site where Saint Agnes was martyred in the ancient Stadium of Domitian. Constructed in 1652, by architects Girolamo and Carlo Rainaldi, it was commissioned by Pope Innocent X of the influential Pamphili family. Baroque architecture Historic plan for the church (1600s) In 1651, as the works for the impressive new Pamphili residence came to a close, Innocent X turned to a new plan, for reconstruction of the ancient church of Sant'Agnese, also situated on Piazza Navona, immediately adjacent to the Pamphili palazzo.

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The high relief work shows the Holy Family with Saint Elizabeth, Saints John and Zacharia, in a scene of great vivacity and convincing compactness. The works for construction of the main altar of Sant'Agnese in Agone began in 1720, following plans prepared by Carlo Rainaldi but later revised by Ciro Ferri. The altar facade is composed of four. The artists of Sant'Agnese in Agone. Alessandro Algardi (Bologna 1595 - Rome 1654), sculptor. Algardi's erudite and stylistic orientations were profoundly influenced by his teacher Ludovico Carracci. Of equal importance was his experience beginning in 1625, when Cardinal Ludovisi called Algardi to Rome for the restoration and reworking of.