Pauline Curnier Jardin; Works List. Category; Film; Installation; Performance; Painting & Drawing; Works; Adoration (censored version) Fireflies (Lucciole) 2021; Fat to Ashes, 2021; Ausgeblutet, Bled Out, Qu'un sang impur, 2019; I Still Send You a lot of Affection and I Kiss You Through My Dentures, 2019; Pauline Curnier Jardin (born 1980, Marseille, France) is a visual artist working mainly in film, installation, performance and drawing. She lives in Rome and Berlin . [1] In her work, Curnier Jardin has revisited Joan of Arc , Bernadette Soubirous , the Goddess Demeter , the birth of Jesus and his saint Family, the Anatomical theatre of the Renaissance , as well as pagan and catholic rites in.
Pauline Curnier Jardin Stichting Ammodo
Pauline Curnier Jardin was born in 1980 in Pertuis, France and grew up in Marseilles. She graduated in 2006 from both the École nationale supérieure d'arts de Cergy-Pontoise in Paris and the École nationale des arts décoratifs, with a specialization in cinema and video. Pauline Curnier Jardin (born 1980, Marseille, France) is a visual artist working mainly in film, installation, performance and drawing. All images Courtesy by the artist and Ellen de Bruijne Projects. She lives in Rome and Berlin. In her work, Curnier Jardin has revisited Joan of Arc, Bernadette Soubirous, the Goddess Demeter, the birth of. Pauline Curnier Jardin (b. 1980, Marseille, France) is an Rome-Berlin based artist working across installation, performance, film and drawing. T he transgressive, camp, and idiosyncratic character-driven work of Curnier Jardin takes on a diversity of forms ranging from paintings, performances, musical collaborations, installations and films. In. Pauline CURNIER JARDIN (1980, France) is a visual artist working mainly in film, installation, performance and drawing. She spent two years as Rijksakademie resident in Amsterdam and lives in Rome and Berlin. In 2019, she was awarded the Preis der Nationalgalerie. Curnier Jardin combines ethnography and fantasy, with a particular awareness of.
Pauline Curnier Jardin, Grotta Profunda Approfundita, Installationfilm, 2017 in Viva Arte Viva
Pauline Curnier Jardin, winner of the Preis der Nationalgalerie 2019, is presenting the extensive video installation Fat to Ashes, which she produced for her first institutional solo exhibition in Germany, in the historic halls of Hamburger Bahnhof - Museum für Gegenwart - Berlin.A large-scale amphitheatre encompasses the film installation as the centre of the spectacle, and thus. Pauline Curnier Jardin is a visual artist working mainly in film, installation, performance and drawing. She lives in Rome and Berlin. In her work, Curnier Jardin has revisited Joan of Arc, Bernadette Soubirous, the Goddess Demeter, the birth of Jesus and his saint Family, the Anatomical theatre of the Renaissance, as well as pagan and catholic rites in Central and Southern Europe. Pauline Curnier Jardin (b. 1980, Marseille, France) is a Berlin and Rome-based artist working across installation, performance, film and drawing. She is the winner of the 2019 German Preis der Nationalgalerie, the 2021 Villa Romana Prize in Firenze and recipient of the 2019-2020 Villa Medici fellowship in Rome. Pauline Curnier Jardin's ongoing and upcoming solo exhibitions include: "Waiting for Agata, Sebastian and the rest of the Holy Children" at Index, The Swedish Contemporary Art Foundation, Stockholm until December 13 2021; "Bodies, Extra-ordinaires" at If I can't Dance I Don't want To be A Part Of Your Revolution, Amsterdam until January 31 2022; Pinksummer Contemporary Art.
Pauline Curnier Jardin lauréate du principal prix allemand Le Quotidien de l'Art
The recurring themes of female sexuality, reproductive power, and demonisation of the ageing bodies in Curnier Jardin's work all come together in what seems to be the crowning piece of the exhibition - an installation consisting of the film Qu'un Sang Impur (2019) and the theatre set Hot Flower Forest (2023). Curnier Jardin plays with the colour red in this room. Pauline Curnier Jardin, winner of the Preis der Nationalgalerie 2019, is presenting the extensive video installation Fat to Ashes. The exhibition centers on the filmic work Fat to Ashes , which combines three storylines: a religious festival in honor of St. Agatha, the slaughter of a pig, and the Carnival of Cologne.
Pauline Curnier Jardin is a contemporary artist who combines film, sculpture, installations and performance art to create visually overwhelming and thought-provoking art. A lot of her work depicts the role of women in mythology, history, folklore and cinema. Roles that were traditionally portrayed in a very stereotypical way; as saint, mother. Pauline Curnier Jardin. by Nadia Egan, photos by Aja Jacques // Oct. 21, 2022. The warmth of another muggy summer's day radiates into Pauline Curnier Jardin's studio. Tucked away in a courtyard just off the Maybachufer, the muffled sounds of neighbouring construction and fellow residents filter through the open windows. We catch the artist.
Pauline Curnier Jardin Le Quotidien de l'Art
Pauline Curnier Jardin (b. 1980, France) is an Amsterdam-based artist working across installation, performance, film and drawing. In 2008 she began creating a series of 'movie-performances' (Ah Jeanne!, LOV and TVO and The White Ferrals) which combine cinema and stage narrative.She went on to experiment with the format of an 'objects optic opera' (Le Salon d'Alone, 2010), as well as. Pauline Curnier Jardin With Casa di Reclusione Femminile (Women's Prison) On April 19, 2022 LIAF unveils a permanent communal installation by artist Pauline Curnier Jardin (Marseille, France 1980) in collaboration with the inmates of the Casa di Reclusione Femminile della Giudecca, an Italian women's prison located in the former monastery of the Convertite where around 60 inmates now live.
