Andreas Gefeller German Photo Book Award "Works 2023-1996" receives Silver Andreas Gefeller Overview Using the camera as a tool of both truth and deception, Andreas Gefeller produces photographs of urban and manmade spaces that challenge the boundaries of everyday perception. His series have grown increasingly abstract. Among his earliest and most straightforward is "Halbwertszeiten (Half-life)" (1996).
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ANDREAS GEFELLER (B. 1970), Poles 33 from "The Japan Series", 2010
01 Oct — 05 Dec 20 ATLAS is delighted to announce the first UK solo show of Andreas Gefeller's work. The exhibition will showcase Gefeller's new series of photographs The Other Side of Light alongside works from his earlier series Soma (2000), Supervisions (since 2002), The Japan Series (2010) and Blank (2010-2016). Andreas Gefeller German, b. 1970 Following Follow 207 Follower s Using the camera as a tool of both truth and deception, Andreas Gefeller produces photographs of urban and manmade spaces that challenge the boundaries of everyday perception. His series have grown increasingly abstract. Among his earliest and most. Read more Andreas Gefeller. In 1998, at a picnic with a friend who had fallen asleep, Andreas Gefeller felt the urge to photograph the scene from above, "as from a satellite", and he later glued the pictures together to form an overview. The result reminded him both of the composited pictures of space he had seen as a child and David Hockney's. From the book Andreas Gefeller—Photographs 2009. A roughly 1.7-meter-tall person, observed from a distance of five meters and viewed between thumb and index finger held in front of the eye, appears to be only about two centimeters tall. A ginkgo leaf, considered from a two-meter distance and viewed in this same way, measures just a few.
Atlas Gallery Fine Art PhotographyAndreas Gefeller Atlas Gallery
March 26, 2010 Andreas Gefeller's Supervisions: structure as story By Stephanie Mitchell [In our latest look at fine arts photographers who might have something to offer photojournalists, contributing editor Stephanie Mitchell considers the Supervisions project of Andreas Gefeller. 23 Apr — 30 May 20 ATLAS is delighted to announce that the first UK solo show of Andreas Gefeller's work will open at the gallery this Spring. The exhibition will showcase Gefeller's new series of photographs The Back Side of Light alongside works from his earlier series Soma (2002), Supervisions (2008), The Japan Series (2012) and Blank (2012). 2010-2015 In Blank Andreas Gefeller focuses his attention to urban and industrial areas, aspects of our contemporary life. Similar to his previous work The Japan Series Gefeller's youngest photographs bear a perceptible resemblance to drawings or watercolours and oscillate between documentation and construction. Andreas Gefeller - The Japan Series. Hasted Kraeutler Gallery, New York March 31—May 14, 2011. The Japan Series is Andreas Gefeller's new body of work created in the Tottori Prefecture of Japan. The photos consist of plants modified by human intervention and above-ground power cables against black or white sky, and the images draw aesthetic inspiration from Japan's taste for minimalism.
Photographs, 2009 Atlas Gallery Online Store
This week is the last chance to see Andreas Gefeller: Mapping Perception at Atlas Gallery in London.It is the first UK solo exhibition by Andreas Gefeller (b. 1970, Düsseldorf), "a rising star among Germany's fine art photographers," says gallery director Ben Burdett, and it includes works from series spanning Gefeller's career, including Soma (2000), Supervisions (2002 onwards), The. Andreas Gefeller's series Clouds likewise calls to mind the cloud as a Biblical motif and symbol of the forces of nature, but what the photographs "really" show is not a spectacle of nature but emissions of steam that have arisen from the cooling towers of the coal-powered electrical generating station Neurath. The sublime impression is.
We are thrilled to share a new limited edition portfolio of 6 images from Gefeller's recent series Clouds. Beautiful and threatening at the same time, Gefeller's Clouds are formations of condensed steam coming out of the cooling tower of a coal plant which he then manipulates and takes out of context in his typical blending of documentation and construction. German photographer Andreas Gefeller makes visual misdirection and deception the very basis of his aesthetic. Photographing modern cityscapes and man made spaces through bird's- and worm's-eye perspectives and utilizing composite construction, his images destabilize the notion of photographic reality.
Andreas Gefeller Exhibitions Fine Art Photography Gallery in New
Curriculum Vitae Andreas Gefeller (*1970) studied photography at the University of Essen and completed his degree with honors under Bernhard Prinz in 2000. Gefeller was appointed to the Deutsche Fotografische Akademie in 2001. He lives and works in Düsseldorf. Awards Solo shows (selection) Group shows (selection) Collections (selection) Fotografie Neu Denken. Der Podcast. In the 45-minute interview, I talk with Andy Scholz about my work and the meaning of photographic art in times of AI and virtual reality. (In German only) More Information Sipgate Shows Andreas Gefeller und Laurenz Berges September 12 - November 2, 2023 Opening on Tuesday, September 9, 2023, from 5 to 8 p.m.
