Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625.It is regarded as one of the artistic marvels of the Baroque age. The statue is housed in the Galleria Borghese in Rome, along with several other examples of the artist's most important early works. The sculpture depicts the climax of the story of Apollo and. Apollo and Daphne. Apollo and Daphne - a marble sculpture in the Baroque style in natural size, made by the Italian artist Gian Lorenzo Bernini and executed in 1622-1625. Placed in the Borghese Gallery in Rome, this work depicts the culmination of the history of Apollo and Daphne (Phoebe and Daphne) in Ovid's Metamorphosis.
Apollo and Daphne is a sculpture made by Italian Gian Lorenzo Bernini
Apollo and Daphne (1625) by Bernini. Although retold in Ovid's book, the story of these two characters originally came from Greek and Roman mythology. Thanks to the advances in printing technology during the Renaissance period, ancient texts and myths started to emerge and be published, and the rise in the popularity of these stories resulted in the commissioning of works that portrayed them. Other articles where Apollo and Daphne is discussed: Gian Lorenzo Bernini: Early years:.to the hallucinatory vision of Apollo and Daphne (1622-24), which was intended to be viewed from one spot as if it were a relief. In his David (1623-24), Bernini depicts the figure casting a stone at an unseen adversary. Several portrait busts that Bernini executed during this period, including that… The Myth of Apollo and Daphne. In Ovid's narrative, Apollo, the god of archery and music, insulted Eros, the god of love, who took his revenge. Eros fashioned two arrows, one of gold and one of lead. He pierced Apollo with the golden arrow, causing him to be infatuated with Daphne, a nymph sworn to chastity. Cupid then pierced Daphne with the. Bernini's inspiration for this complex composition comes from Ovid's Metamorphoses, where Apollo, the sun God, is in love with Daphne, and Cupid wounds him with a golden arrow, while Daphne has declared herself eternally chaste. Apollo being the son of Zeus was accustomed to getting his own way, so Daphne's refusal of his advances aroused.
Gian Lorenzo Bernini Apollo e Dafne (162225) Galleria Roma
Bernini Gian Lorenzo. The subjet of the sculptural group is Ovid's tale from his Metamorphoses (I, 450-567), where he tells of Apollo, on whom Eros takes revenge by shooting him with an arrow made of gold, the noblest metal, making him fall for the nymph Daphne, a disciple of Diana. The nymph, instead, is pierced by a dart made of lowly lead. Video transcript. (upbeat piano music) - [Man] We're in the Galleria Borghese in Rome. And we're looking at one of Bernini's first major commissions, Apollo and Daphne. - [Woman] This is a fabulous story of Eros, the god of love causing quite a bit of mischief. - [Man] People may know Eros as Cupid. Gian Lorenzo Bernini, Apollo and Daphne. by Dr. Beth Harris and Dr. Steven Zucker. Gian Lorenzo Bernini, Apollo and Daphne, 1622-25, Carrera marble, 243 cm high (Galleria Borghese, Rome) A conversation with Dr. Beth Harris and Dr. Steven Zucker. More Smarthistory images…. Out of spite, Cupid then pricked him with one of his amour-inducing arrows, causing the god to fall madly in love with the passing-by river nymph Daphne. However, Daphne was devoted to the goddess Diana, and had resolved never to marry and to remain a virgin for her entire life. When Apollo pursued her, driven by his lust, she ran away in panic.
bugiardo Gangster tornado scultura bernini apollo e dafne Viaggio
Gian Lorenzo Bernini, Autoritratto, 27.5×21.5 cm, Ashmolean Museum, Oxford. Apollo e Dafne fu commissionata dal cardinale Scipione Caffarelli-Borghese allo scultore Gian Lorenzo Bernini, all'epoca poco più che ventenne. L'esecuzione fu iniziata nell'agosto del 1622, ma fu interrotta nell'estate del 1623. A giugno morì infatti il cardinale. This statue, Apollo and Daphne [figure 1], was one in a collection of statues commissioned by Cardinal Scipione Borghese.Cardinal Borghese was a wealthy man from a wealthy Italian family, and also just happened to be the Pope's nephew. This Pope, Paul V, was not above employing his family members within the church to be on his side in political issues and to oversee the handling of the papal.
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[email protected] / Phone: +44 7429 011000. There is a fascinating story behind the sculpture Apollo and Daphne by Gian Lorenzo Bernini. The sculpture was inspired by a story from the tale of Ovid's Metamorphosis. Apollo, the god of light and poetry, teased Cupid about how young he was to handle the bow and arrow, terming them as. Abstract. Taking as a case study the marble group of Apollo and Daphne, sculpted by Giovan Lorenzo Bernini for Cardinal Scipione Borghese in the 1620s, this paper discusses the exchange between sculpture and poetry in determining how the beholder engages the sculpted object.More in particular, the question is addressed how the image's infringement on the beholder's world and body can both be.
Apollon et Daphné (16221625) par Gian Lorenzo BERNINI dit Le Bernin
This essay extends recent debate on the performative aspects of art objects and the performance of spectators in viewing them. Seventeenth-century commentators attributed lifelike qualities of speech and movement to Bernini's sculptures. The life-sized Baroque marble sculpture by Bernini depicts the climax of the story of Apollo and Daphne (Phoebus and Daphne) in Ovid's Metamorphoses. It shows Apollo finally catching up to Daphne, just as she is being transformed into a laurel tree. Apollo clutches Daphne's hip, pursuing her as she flees to escape him. Apollo wears a laurel.
