In his TED Talk filmed at TEDGlobal London in September 2015, Ole Scheeren eschews what he describes as the "detrimental straightjacket" of the modernist mantra "form follows function" in favor. The exhibition's very title, Form Follows Fiction, recalls the celebrated dictum of the American functionalist architect Louis Henry Sullivan, Form Follows Function, which declared the supremacy of utility over formal creativity in architecture, art and design. Today the roles appear to be reversed.
Form follows Fiction Laka Reacts
"Form Follows Fiction": An Interview with Ole Scheeren Written by Fernanda Castro Published on February 22, 2023 Share Captivated by cinematographic references and the narrative space, Ole. "Form Follows Fiction": An Interview with Ole Scheeren ArchDaily 173K subscribers Subscribe Subscribed Share 5.1K views 10 months ago ArchDaily participated in the World Architecture Festival. Share. . Image 4 of 6 from gallery of "Form Follows Fiction": An Interview with Ole Scheeren. Courtesy of OMA. Form Follows Fiction was conceived as a sequel to the 1992 exhibition Post Human, also curated by Jeffrey Deitch, which explored a new model of the human condition, pushing deep into the confusion between the artificial and the real. Genres Art 252 pages, Paperback First published February 15, 2002 Book details & editions About the author Amy Adler
Form Follows Fiction Art and Artists in Toronto
"Form follows fiction" is a distortion of the familiar dictum of Modernist architecture: form follows function. According to this reformulation, art is not a mirror held up to the world. Rather, the world's form is prefigured by its articulation in artistic practice. Form Follows Fiction Ole Scheeren tells us about his 360-degree relationship with architecture, which he defines as "a matrix of hybrid narratives, from which to begin to construct the realities of the future" Redazione | 23 December 2019 "Form Follows Fiction" focuses on a generation of artists who can no longer follow the modernist dictum "form follows function"; as our model of reality becomes more layered and less concrete, that decree morphs inevitably into "form follows fiction." Some of these artists create structures that intersect with everyday life, while others. Form Follows Fiction examines the increasing confusion between fact and fiction in contemporary art and contemporary life. As elements of contemporary life move closer to art, and as art moves more directly into life, the differences between the artificial and the real are becoming increasingly blurred. The exhibition focuses on a new.
Form Follows Fiction, MYLK Qobuz
"Form follows fiction" Bernard Tschumi . The 19th and 20th centuries saw unprecedented urbanisation which necessitated radical proposals for re-writing the popular narrative of how life should be lived. One of these conditions - the birth of Modernism gave rise to Louis Sullivan's - 1. infamous dictum 'form [ever] follows function' 2 Form Follows Fiction: Adler, Amy, Murakami, Takashi, Noble, Tim, Ofili, Chris, Webster, Sue, Ackermann, Franz, Khedoori, Toba, Laurette, Matthieu, Aitken, Doug, Beecroft, Vanessa, Currin, John, Eliasson, Olafur, Guo-Qiang, Cai, Kauper, Kurt, Manzelli, Margherita, Orozco, Gabriel, Rist, Pipilotti, Ritchie, Matthew, Walker, Kara, Mori, Mariko, Gia.
Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the shape of a building or object should primarily relate to its intended function or purpose. Origins of the phrase When we were handed over a small booklet at the SYSTEM architect's office on a recent winter afternoon, the first thing that caught my attention was the phrase "form follows fiction." It was remarkable how ingeniously they adapted architect Louis H. Sullivan's renowned axiom "form follows function," which refers to the idea that a building's.
Form follows Fiction Project Evermotion
Form Follows Fiction focuses on a generation of artists who can no longer follow the modernist dictum "form follows function"; as our model of reality becomes more layered and less concrete, that decree morphs inevitably into "form follows fiction." Some of these artists create structures that intersect with everyday life, while others. One architect who advocates strongly this power of integration of story and architecture is Bernard Tschumi, who is also renowned for editing the famous ' Form follows Function ' into 'Form follows fiction'.
