Francis Picabia (18791953) , Tête de femme Christie's

Among the series of artists who in one way or another were linked to Spain and helped spread the new plastic languages across the country was Francis Picabia, whose connection to all things Spanish goes beyond the mere fact of visiting Spanish soil. Location: Private Collection Dimensions: 65 x 54 cm Order Oil Painting reproduction Tags: female-portraits Lady Francis Picabia Famous works Portrait of Jeanne Marie Bourgeois • 1907 Dances at the Spring • 1912 Very Rare Picture of Earth • 1915 Machine Turn Quickly • 1917 Love Parade • 1917 Balance • 1919 Villica safe • 1929 Aello • 1930

Spanish Woman With Guitar Artwork By Francis Picabia Oil Painting & Art

La Nuit Espagnole (The Spanish Night) is an enamel on canvas painting by French artist Francis Picabia, executed in 1922. It has the dimensions of 162.5 by 131 cm. It is held at the Museum Ludwig, in Cologne . Description and analysis Francis Picabia (Paris, 1879-1953) was an impetuous non-conformist and these very characteristics define his entire career, giving it a quality of constant renewal. Picabia was a versatile artist, always seeking change, capable of making a 180° turn in his life or work as soon as he had reached whatever goal he had set for himself. Oil on board Dimensions: 109,5 x 100 cm Category: Painting Entry date: 2008 Register number: DE01923 On display in: Room 205.04 - Spain, a Tragic Myth Femme au foulard rouge (Woman with Red Scarf) is one of the few oil paintings by Francis Picabia inspired by the Spanish Civil War. Collection / Authors Francis Picabia Paris, France, 1879 - 1953 L'espagnole (Spanish Woman) Francis Picabia 1917-1920 (circa) Le port (The Port) Francis Picabia 1922-1923 Brouette (Wheelbarrow) Francis Picabia 1922 (circa) Room 207.02 Totalisateur (Totalizer) Francis Picabia 1922 (circa) Room 207.02 Amsel ou Sagesse Francis Picabia 1930 Room 205.13

SelfPortrait by Francis Picabia, oil on canvas, ca. 1940 SelfPortriat

Accomplishments In the 1910s, Picabia shared the interests of a number of artists who emerged in the wake of Cubism, and who were inspired less by the movement's preoccupation with problems of representation than by the way the style could evoke qualities of the modern, urban, and mechanistic world. The exhibition featured some rare early works—a Fauvist landscape and portraits of Spanish women wearing mantillas—but weighs heavily toward three recurring styles that he explored after his break. "Francis Picabia: Paintings 1909-1950" was on view at Galerie Andrea Caratsch, Zurich, Sep. 24-Nov. 20, 2015. Follow Galerie Andrea. Otaïti is a striking example of Francis Picabia's 'transparencies', a major body of works the artist made between c.1928 and c.1931.Leading from two figurative series Picabia made during the mid-late 1920s - the Espagnoles, portraying archetypal Spanish women, and the Monsters which traced multi-eyed creatures in heavy black outline - the transparencies moved dramatically away from. Francis Picabia's Espagnoles - kitsch paintings of Spanish women in folkloric costume - are arguably the most maligned and least understood aspect of his practice. Historically, the scholarship has all but ignored these paintings, while more recent surveys have struggled to account for them. 'Francis Picabia: The Espagnoles' provides the first dedicated account of these paintings.

The mechanised world of Francis Picabia art Agenda Phaidon

Francis Picabia ( French: [fʁɑ̃sis pikabja]: born Francis-Marie Martinez de Picabia; 22 January 1879 - 30 November 1953) was a French avant-garde painter, writer, filmmaker, magazine publisher, poet, and typographist closely associated with Dada. [1] Francis Picabia (French: [fʁɑ̃sis pikabja]; born Francis-Marie Martinez de Picabia, 22 January 1879 - 30 November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. Share to Facebook Share to Twitter Share to Linkedin "There are people who do not like machines," the avant-garde artist Francis Picabia admitted in a 1923 interview. "I propose Spanish. Born in Paris in 1879, Picabia first made his name as a late-coming Impressionist painter in 1905. In the fall of 1912, he exhibited a group of large-scale abstractions, including The Spring and Dances at the Spring [II].

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Dec. 2, 2016. FRANCIS PICABIA. Our Heads Are Round So Our Thoughts Can Change Direction. Edited by Anne Umland and Cathérine Hug. Illustrated. 368 pp. The Museum of Modern Art, New York/Kunsthaus. Francis Picabia's career is defined by varied activities as a painter, poet, editor, and international impresario of the avant-garde. Picabia was born into a wealthy Spanish-French family in Paris, and from a young age threw himself into the most extreme currents of modern art. He met the Impressionist Camille Pissarro in 1902 and produced.