Marta Pérez García's art explores in a poetic way a wide range of human conditions, from fragility and vulnerability to strength and survival. Her recent work, created during the COVID-19 pandemic, addresses the troubling yet rarely discussed increase in domestic violence due to stay-at-home orders, especially toward women and children. April 15, 2022 at 8:00 a.m. EDT An installation view of "Restos-Traces" by Marta Pérez García at the Phillips Collection. On the far wall is Francis Bacon's "Study of a Figure in a Landscape".
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Marta Pérez García: Restos-Traces Curated by: Vesela Sretenović, Director of Contemporary Art Initiatives and Academic Partnerships at The Phillips Collection Exhibition Schedule: The Phillips Collection, Washington, DC, March 31-August 28, 2022 Reviewed by: Mark L. Hanin August 17, 2022 by Sarah Tanguy Washington, DC The Phillips Collection INVISIBLE, SILENCIO, NO—these are the only words in Marta Pérez García's poetic installation Restos-Traces. The ghostly assembly of 19 female torsos ( on view through August 28, 2022) immediately strikes a nerve. Marta Pérez García, Your Hand, 2020, Molded cotton handmade paper and stitching with yarn, 19 × 11 × 2 in., Courtesy of the artist Tu mano Tu mano,/ La misma que una vez me acaricio / Ahora me arrebato la vida. Your Hand Your Hand,/ The very one that once caressed me / Has now taken my life. The Phillips Collection, Marta Pérez García's, In Restos-Traces, the torsos are clustered together and paired with two works from the Phillips's permanent collection: Francis Bacon's Study of a Figure in a Landscape (1952)—an austere painting that emanates loss, anxiety, and frailness—and Annette Messager's Mes petites effigies (My Little Effigies) (1989-90), an installation.
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WASHINGTON, DC— Restos-Traces, the 31st project of The Phillips Collection's ongoing Intersections contemporary art series, features Puerto Rican, DC-based artist Marta Pérez García, whose art poetically explores a wide range of human conditions, from fragility and vulnerability to strength and survival. Free. No reservations required. Proof of vaccination and masks required. Join artist Marta Pérez García and Cross-departmental Director of Contemporary Art Initiatives and Partnerships Vesela Sretenović for a conversation about Pérez García's Intersections project, Restos-Traces. In Restos-Traces, the Puerto Rican Washington, DC-based artist Marta Pérez García raises specters, figuratively and formally constellating creative cycles under thematic auspices of personal and political endurance, and disrupting the definition of remains or ruins (restos).The exhibition addresses perceptual doubt in the face of an unaccountable authority and—as its macaronic Spanish. Marta Pérez García. Marta Pérez García Your Hand (2020) Marta Pérez García Nameless 30 (2022) Marta Pérez García Nameless 7 (2022) Phillips@THEARC; Blog; Press; Rentals; Contact Us; Opportunities; Sign-up for e-news; Donate now ©2023 The Phillips Collection, 1600 21st Street, NW, Washington, DC.
Marta Pérez García Sculpture
In the Restos-Traces exhibition at the Phillips Collection, Marta Pérez García explores the theme of domestic violence against women and children during the COVID-19 pandemic. Housed in a single gallery, the exhibition consists of a set of female torsos modeled after mannequins. Created from handmade paper with deft overlays of wire, nails. , 2020 Marta Perez Garcia she/her Washington, DC, United States https://martaperezgarciaart.wixsite.com/mysite Through my artwork, I intend to stimulate a public reflection across communities on how gender-based violence has become an integral part of society.
Marta Pérez García has a BFA from Louisiana State University and an MFA from Tyler School of Art and Architecture at Temple University, Philadelphia. Her work explores the chaotic aspects of the human condition. Marta Pérez García Arecibo, PR, 1965 Biography Details Grabadora, dibujante y pintora. Obtuvo su bachillerato en bellas artes de la Universidad Estatal de Luisiana en 1987 y su maestría de Tyler School of Arts en Filadelfia en 1993, además de tomar cursos en la Universidad de West Virginia en 1987.
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