Maya Deren (born Eleonora Derenkovskaya, Ukrainian: Елеоно́ра Деренко́вська; May 12 [O.S. April 29] 1917 - October 13, 1961) was a Ukrainian-born (then part of the Russian Empire, now independent Ukraine) American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s.. Photography at MoMA. Maya Deren (born Eleonora Derenkovskaya, Ukrainian: Елеоно́ра Деренко́вська; May 12 [O.S. April 29] 1917 - October 13, 1961) was a Ukrainian-born (then part of the Russian Empire, now independent Ukraine) American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer.
Maya Deren Film inspiration, Filmmaking, Photography inspiration
By Richard Brody November 16, 2022 Maya Deren was not quite a dancer, untrained as an actor, but endowed with charisma and temperament, craving not so much to be seen as to be recognized.. This is the first international forum for those interested in the work of Maya Deren, U.S. avant-garde filmmaker and film theorist of the 1940's and 1950's.Deren used to say that her films cost what Hollywood spends on lipstick. Maya Deren (b. 1917-d. 1961) completed only six films and two monographs in her lifetime, yet she made a huge impact on the history of cinema and the avant-garde specifically. Indeed, she continues to inspire a wide range of artists, from filmmakers to visual artists and musicians. Maya Deren. Portrait of Carol Janeway. 1943. Gelatin silver print. 12 3/8 × 10 13/16" (31.5 × 27.5 cm). Gift of Judith Young-Mallin in memory of Carol Janeway. 395.1992. Photography
maya deren Magnum Opus, Experimental Photography, Arte Sketchbook, Film
Maya Deren, Talley Beatty. A Study in Choreography for Camera. 1945. W2736. Maya Deren, (born April 29, 1917, Kiev, Ukraine—died Oct. 13, 1961, New York, N.Y., U.S.), influential director and performer who is often called the "mother" of American avant-garde filmmaking. Maya Deren was one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. Deren earned an MA in English literature from Smith in 1939 before joining choreographer Katherine Dunham's tour. Maya Deren 1917, Ukraine - 1961, USA TUE - SUN 23/04 > 25/09 11 AM - 7 PM 27/09 > 27/11 10 AM - 6 PM Central Pavilion Admission with ticket "The beginning is the end," written on a woman's forehead, wraps around a pentacle - an occult, star-shaped symbol conjuring magical phenomena.
Maya Deren Portraiture, Female photographers, Female artists
A STUDY IN CHOREOGRAPHY FOR CAMERA (1945) is the third dance film by Ukrainian-born American experimental filmmaker, Maya Deren (29th April 1917-13th October 1961) and her most accomplished. In this short black and white composition lasting just over two minutes long, she celebrates the principle of the power of movement. Passage is a large-scale, noir-ish photodrama featuring four characters—a mother and baby, a sharply-dressed "middleman," and a police officer—in a geographically indeterminate port. Moffatt herself, styled as a maid, revisits a now-abandoned site from her past in Body Remembers, the other large-scale series of photographs.
A Study in Choreography for Camera. A Study in Choreography for Camera, a collaboration with dancer and choreographer Talley Beatty, is an early example of Maya Deren's interest in the unique ability of film to expand and contract time. "I have attempted to place a dancer in a limitless, cinematographic space," Deren stated. Maya Deren (1917-1961) is a key figure in the development of avant-garde cinema. Her series of short films made between 1942 and 1946 - Meshes of the Afternoon (1942), At Land (1944), and Ritual in Transfigured Time (1946) - form a trilogy that articulates the initiatory journey of a female protagonist through inner imaginal worlds of dream.
Maya Deren Alexander Hackenschmied Dark photography, Portrait, Alexander
MAYA DEREN Cinematography: The Creative Use of Reality The motion-picture camera is perhaps the most paradoxical of all machines, in that it can be at once independently active. Photography, however, is a process by which an object creates its own image by the action of its fight on fight-sensitive mate rial. It thus presents a closed. For this groundbreaking avant-garde film, Deren filmed dancer Talley Beatty as he performed a highly condensed dance sequence in a variety of settings, from.
