Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635-1636 [1] by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. [2] Article Wikipedia article References This triple portrait had an unusual function as a kind of design for sculpture. In 1636 Charles I dispatched the original of this painting by Sir Anthony van Dyck to the sculptor Gian Lorenzo Bernini in Rome. It was to assist in the making of a marble bust.
Triple portrait of Charles I, king of England (detail), 1635 by Anthony
Anthony van Dyck (1599-1641) Charles I (1600-1649) 1635-before June 1636 Oil on canvas | 84.4 x 99.4 cm (support, canvas/panel/stretcher external) | © © © Description The painting was probably begun in the second half of 1635. A triple portrait Van Dyck's oil painting was a brilliant guide for Bernini. It presents the king in three poses, dressed in three different costumes to provide options for Bernini to work with. For example, each head has a different coloured costume and a slight variation of lace collar. The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632. This triple portrait had an unusual function as a kind of design for sculpture. In 1636 Charles I (ruled 1625-1649) dispatched the original of this painting by Sir Anthony van Dyck (1599-1641) to the sculptor Gian Lorenzo Bernini (1598-1680) in Rome. It was to assist in the making of a marble bust.
In Focus The Van Dyck portrait that shows Charles I as monarch
It is no understatement to assert that the Flemish artist Sir Anthony van Dyck virtually single-handedly brought about a revolution in portrait painting in early seventeenth-century England. Anthony van Dyck, Equestrian Portrait of Charles I, detail, c. 1637-8, oil on canvas, 367 x 292.1 cm ( National Gallery, London) Around the neck of the king hangs a gold locket or medallion which bears the likeness of Saint George and the Dragon, known as the Lesser George. Saint George, the archetypal Christian knight, is the patron of the. Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635-1636 by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. Van Dyck had presumably been influenced by Lotto's 'Portrait of a Man in Three Positions' (Kunsthistorisches Museum, Vienna), which was in Charles I's collection at this time. The King's portrait in turn probably influenced Philippe de Champaigne, who in 1642 painted a 'Triple Portrait of Cardinal Richelieu' (National Gallery, London) to assist.
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Charles I with M. de St. Antoine was the first equestrian portrait ever painted of this king, and Anthony van Dyck purposefully chose this format to enhance Charles's status at a particularly unstable moment in British history. Anthony van Dyck, Charles I with M. de St. Antoine , 1633, oil on canvas, 370 x 270 cm ( Queen's Gallery, Windsor. Email:
[email protected] / Phone: +44 7429 011000 Perhaps the most memorable of all King Charles I's portraits, this extraordinary work by Anthony van Dyck captures the monarch at three different angles King Charles I was a true follower of the arts, building one of the finest collections of Renaissance and Baroque art ever seen.
Van Dyck had been influenced by the "Triple Portrait of a Goldsmith" by Lorenzo Lotto (1530), which was in Charles I's collection at this time. The King's portrait, in turn, influenced the "Triple Portrait of Cardinal de Richelieu" by Philippe de Champaigne (1642), also created to assist Bernini with a bust of the Cardinal. The 'Equestrian Portrait of Charles I', known by some as 'Charles I on Horseback', is one of the most iconic images of Charles I, King of England, Scotland and Ireland from 27 March 1625 until his execution in 1649.The painting was created by the Flemish artist Anthony van Dyck in 1636 or 1637, a point when Charles I was nearing the end of an 11-year period of personal rule.
Charles I Painting by Anthony van Dyck Fine Art America
of 23 paintings add Anthony van Dyck, Equestrian Portrait of Charles I, about 1638-9. Read about this painting, learn the key facts and zoom in to discover more. Oil painting [br] Also known as Charles I, and Triple portrait of Charles I, the painting was sent to Rome in 1636 for Italian sculptor, Gian Lorenzo Bernini, to use as reference for a marble bust of the King.
