The latter Titus is a character in the play Brutus by the French Enlightenment writer Voltaire. The play is about Titus's participation in the Tarquinian conspiracy, for which Lucius Junius Brutus (the "Brutus" in the title) condemns his son to death. Brutus first appeared on the French stage in 1730. At bals à la victime (victims' balls), the sons and daughters of executed French aristocrats danced in bizarre revelry. In the 1830s, French historian Théophile Lavallée wrote of the events, "at which one danced in mourning clothes, and to which only individuals whose relatives had perished on the scaffold were admitted."
Coiffure à la Titus Shannon Selin
An eponymous hairstyle is a particular hairstyle that has become fashionable during a certain period of time through its association with a prominent individual. Women Louise Brooks and her bob, c. 1928 1920-1950 It was called the Titus haircut, or coiffure à la Titus. The name is a reference to Titus Junius Brutus, the elder son of Lucius Junius Brutus, who founded the Roman Republic in 509 BC by famously overthrowing the Roman monarchy. The very people targeted by the revolution claimed the style as their own, morphing it into a symbol of aristocracy--the coiffure à la Titus became the coiffure à la victime. The dances have been sensationalized throughout history, to the extent that many historians have trouble discerning which accounts are accurate. From Wikipedia, the free encyclopedia The bals des victimes, or victims' balls, were balls that were said to have been put on by dancing societies after the Reign of Terror. To be admitted to these societies and balls, one had to be a near relative of someone who had been guillotined during the Terror.
Titus Flavius « IMPERIUM ROMANUM
A brief history of the coiffure a la Titus, the short women's hair style which was popular in the late 18th to early 19th century. A far cry from the elaborate sky high wigs and basket-shaped skirts adopted by Marie Antoinette before the revolution, fashion post-Revolution was heavily influenced by the drama she and her fellow aristocrats endured. Bringing new meaning to the term, "fashion victim", the trend was to literally dress like the victims of the revolution. The answer takes us back to 18th-century France, during the French Revolution. During the later years of the French Revolution, many fashionable young men and women of the upper and middle classes began to cut their hair short. It was called the Titus haircut, or coiffure à la Titus. The name is a reference to Titus Junius Brutus, the elder. It was called the Titus haircut, or coiffure à la Titus. The name is a reference to Titus Junius Brutus, the elder son of Lucius Junius Brutus, who founded the Roman Republic in 509 BC by famously overthrowing the Roman monarchy.
Titus Haircut Haircut and Hairstyle
English: Late 1790's style trend of short curled hair for women, controversial at the time. Français : Coiffure à la Titus. Titus haircut. type of hairstyle characterized by being cropped short but at the front with curls combed forward onto the forehead during the Regency period in Britain. Upload media. Language links are at the top of the page across from the title.
In this highly moralizing allegory, the young woman's hair is styled modishly à la Titus, a short bob in emulation of a hairstyle favored by ancient Roman republicans. View more Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. The style became fashionable, and women cut their hair short and wore a coiffure à la victime, coiffure à la guillotine, or coiffure à la Titus. (It was called the "Titus cut" because before.
16 septembre 1798, An 6, (62) Cheveux à la Titus (...) A4 Poster, Framed Poster Print, Framed
Witz-choura de Satin. A Parisian lady required 365 head-dresses, the same number of pairs of shoes, 600 gowns, and twelve chemises. Among the ephemeral fashions of the Directory one was to dress the hair "à la victime.". This entailed the loss of the victim's tresses, which were cut off quite close to the head. Sporting the fashionable haircut à la Titus, this figure clasping a script in his left hand is the Parisian actor known as Dublin (1761-1820). He was once a member of the famous troupe at the Théâtre de la République and favored comedic roles. Though a prolific actor, he enjoyed greater fame as a costume designer. In 1804, he designed Napoleon's coronation robe, and from 1815 until his.
