The original cover of the journal De Stijl, published in 1917 and designed by Vilmos Huszár. Photo: Bridgeman Images The essential components of De Stijl's art aesthetic were relatively simple. There were to be no depictions of objects, just simple rectangles in primary colours and black and white. Key period: 1917 - 1931 Key regions: The Netherlands Key words: geometric forms, primary colours, form and function, Neo-plasticism, spirituality, return to order Key artists: Piet Mondrian, Theo van Doesburg, Bart van der Leck, Vantongerloo, Vordemberge-Gildewart, Gerrit Rietveld, JJP Oud Theo van Doesburg, Arithmetic Composition, 1929-1930.
Pin by Wrenegade Grace on Çizimler Graphic design inspiration, De stijl, Magazine layout design
1921, De Stijl Magazine Cover, Mondrian and Van Doesburg The most influential piece of work displaying the sensibility and simpleness of 'De Stijl' was the original Masthead, created by. Started: 1917 Ended: 1944 "Neo-Plasticism creates harmony through two extremes: the universal and the individual. The former by revelation, the latter by deduction. Art gives visible expression to the evolution of life: the evolution of spirit and - in the reverse direction - that of matter." Summary of Neo-Plasticism Huszár also co-founded the De Stijl magazine and designed the cover for the first issue. In 1918 he designed interior colour schemes for the bedroom of Bruynzeel house in Voorburg. From 1920 to 1921 he collaborated with Piet Zwart on furniture designs. He left the De Stijl group in 1923. The name De Stijl is used to refer to a body of work made from 1917 to the mid 20th century. In 2017 museums, galleries and outdoor spaces in the Netherlands have been marking this 100 year.
JJ's Blog De stijl magazine cover
Here's an inspiring selection of De Stijl and De Stijl-inspired designs: Covers of De Stijl journal, issues 1 and 2. An homage poster for Inception, inspired by the De Stijl cover design. Theo van Doesburg and Richard Kegler's De Stijl typeface, rooted in the geometric concept of the square. Amsterdam's Stedelijk Museum's new logo is. Similarly, Theo van Doesburg, editor of the journal De Stijl, was an architect who preferred to design total environments, including the furniture and wall decoration.Bart van der Leck, one of the co-founders of De Stijl (although he refused to sign their "manifesto"), designed De Stijl-inspired stained glass, a typeface, and posters, as well as hangings and carpets sold by the Dutch. De Stijl, 1917-1928 Date 1952 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/1798 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA The Netherlands-based De Stijl movement embraced an abstract, pared-down aesthetic centered in basic visual elements such as geometric forms and primary colors. Partly a reaction against the decorative excesses of Art Deco, the reduced quality of De Stijl art was envisioned by its creators as a universal visual language appropriate to the.
» De Stijl, Part III The Total De Stijl Environment
Fig. 1 Cover of the first issue of De Stijl: maandblad voor de beeldende vakken / De Stijl: Monthly magazine for the visual arts, with vignette, designed by Vilmos Huszár, 1917 Disputing the notion that a coherent Stijl group had ever existed, Vantongerloo noted that many of the artists associated with the journal had not actually met one another. The De Stijl movement began in 1917 in Leiden, which is a city in South Holland in the Netherlands. It lasted until about 1931, which was the year when the founder, Theo van Doesburg, died and the encroaching political unrest from Nazi Germany began. The term De Stijl is Dutch and translates to "The Style" in English.
In doing so, Van Doesburg launched the group's manifesto journal, De Stijl, which would endure until his death in 1931, a year that marked an end to the De Stijl adventure. De Stijl magazine, 1st cover with reproduction of a work by Theo van Doesburg: Composition 17 (1917), September 1921 . De Stijl is Dutch for "The Style" and is also known as neoplasticism, The artistic movement was actually founded in 1917, 'De Stijl' was made up of many members and influences, however probably the most prominent was Theo Van Doesburg who was actually the 'ambassador' of the movement, promoting it across Europe.
ClippedOnIssuu from Revista de stijl Piet Mondrian, Theo Van Doesburg, Bauhaus, Movies, Movie
Huszár also co-founded the De Stijl magazine and designed the cover for the first issue. In 1918 he designed interior colour schemes for the bedroom of Bruynzeel house in Voorburg. From 1920 to 1921 he collaborated with Piet Zwart on furniture designs. He left the De Stijl group in 1923. De Stijl ( / də ˈstaɪl /; Dutch pronunciation: [də ˈstɛil], Dutch for "The Style"), also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. [1] In a more narrow sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands.
