Peter Keler is one of the key thinkers who had a lasting impact on Tecta's Bauhaus DNA. Starting with the very first contact between Peter Keler and Axel Bruchhäuser in 1975. Keler lived in Weimar, where he held a professorship at the College of Architecture and Fine Arts for many years and later worked as a freelance architect and artist. Peter Keler is one of the key thinkers who had a lasting impact on Tecta's Bauhaus DNA. Starting with the very first contact between Peter Keler and Axel Bruchhäuser in 1975. Keler lived in Weimar, where he held a professorship at the College of Architecture and Fine Arts for many years and later worked as a freelance architect and artist.
Peter Keler The Bauhaus Cradle Widewalls
Baby Cradle by Peter Keler Kandinsky's work was the inspiration for German architect Peter Keler's Baby Cradle, which he designed for the first Bauhaus exhibition in the Haus am Horn in. In 1922, Bauhaus apprentice Peter Keler designed the Cradle, at the age of 20. The primary-coloured rocking crib was influenced by Wassily Kandinsky, under whom he was studying mural artwork.. Wiege, Autor: Peter Keler, 1922. Siebenbrodt, Michael (2000): Bauhaus Weimar. Entwürfe für die Zukunft, Ostfildern-Ruit. Supported by the sale of his chairs, he set up an architecture practice, eventually moving to the United States where he designed over 100 buildings including the Metropolitan Museum of Art (now.
BauhausLieblinge Die Wiege von Peter Keler museumsfernsehen
Peter Keler. Biography. Peter Keler, born in Kiel in 1898, was an extremely versatile artist from the generation of Bauhaus students, with skills in painting, furniture design, graphic art, architecture and interior design. Peter keler was working as a trainee at the Kiel School of Applied Arts when World War I broke out and was drafted in 1917. Peter Keler is one of the central figures who left a lasting mark on Tecta's Bauhaus DNA. Starting with the first contact between Peter Keler and Axel Bruchhäuser in 1975. Keler was so enthusiastic when he heard that Tecta wanted to produce his cradle that he gave the coloured original drawing to Axel Bruchhäuser. A hundred years ago, a group of artists and designers believed that true design is an artistic and purpose-driven philosophy about humanity. The Bauhaus School began in 1919 in Dessau, Germany and continued in fits and starts through 1933, when finally, the Nazis made it too difficult for the school to continue. Peter Keler was a versatile German artist from the Bauhaus generation, skillful in painting, interior design, graphic arts, and architecture.
Peter Keler Bauhaus 'Wiege' cradle (replica) Catawiki Bauhaus, Cradle, Bauhaus colors
Peter Keler designed his "Red Cube" Lounge Chair in 1925 as a prototype at the State Bauhaus School in Weimar. Keler's object was intended for Farkas Molnar's single-family home "The Red Cube" and addresses the challenge of color in interior design as perceived at that time. Upholstered in red leather, the original is held in the permanent collection at the Cantilever Chair Museum. Peter Keler enrolled at the Bauhaus, attended the preliminary course taught by Johannes Itten, and studied mural painting under Schlemmer and Kandinsky. From 1975 Peter Keler worked as a "tecta employee" - as he described himself - for around seven years. In 1981 he wrote to Paul Klee's son, Felix Klee in Bern, a German-Swiss art.
Peter Keler, was a student at the Bauhaus in Weimar, Germany. From 1919 to 1923 he studied mural painting with Wassily Kandinsky (eventually he became Kandinsky's assistant). This simple cradle, with its blue circle, yellow triangle, and red square, shows these influences. Peter Keler enrolled at the Bauhaus, attended the preliminary course taught by Johannes Itten, and studied mural painting under Schlemmer and Kandinsky. From 1975 Peter Keler worked as a "tecta employee" - as he described himself - for around seven years. In 1981 he wrote to Paul Klee's son, Felix Klee in Bern, a German-Swiss art.
Peter Keler (18981982) Bauhaus Cradle according to the preliminary course of Wassily Kandinsky
Peter Keler's Bauhaus-Cradle, produced today by Tecta, in both the classic and a slightly smaller version, was originally part of a geometric series of beds for men, women and toddlers. The man's bed had a right-angled headboard, the woman's semicircular headboard and footboard: for the cradle the two forms were combined and supplemented with a triangle. Peter Keler Bauhaus Wiege : les 2 versions d'origine. Peu de personnes savent qu'il existait en réalité 2 versions du modèle du berceau à l'origine ! En effet, Keler avait conçu une série géométrique de lits pour femmes, hommes et enfants. Tous dessinés sur le même principe, ils n'avaient bien entendu ni les mêmes dimensions.
