Ugolino di Nerio (1280? - 1349) was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. Daniel the Prophet, c. 1325, Ugolino di Nerio, pinnacle from an altarpiece, tempera and tooled gold on panel ( Philadelphia Museum of Art) Ugolino da Siena was the most original and accomplished follower of Duccio di Buoninsegna, the greatest Sienese painter of the fourteenth century. Among Ugolino's most important commissions was the multi-panel altarpiece for the high altar of Santa Croce, the Franciscan church in Florence.
Ugolino di Nerio The Art Institute of Chicago
U golino di Nerio (1280? - 1349) was active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived. Saints Simon and Thaddeus Ugolino di Nerio Not on display Spandrel Angels Ugolino di Nerio Not on display You've viewed 6 of 12 paintings See more add Ugolino is documented in Siena in 1325 and 1327. Ugolino di Nerio (Ugolino da Siena) Active in Siena, 1317-Siena (?), 1339 or 1349 (?) Member of a family of artists, Ugolino di Nerio's father and his brothers, Guido and Muccio, were also painters. Ugolino probably trained with Duccio and subsequently ran an important workshop. Category: Bibilical Art Museum: Metropolitan Museum of Art - MET Ugolino da Siena (Ugolino di Nerio) Title: Ugolino da Siena (Ugolino di Nerio) Born: 1280 - Siena Died: 1349 (age 69) - Siena Active in: Siena and Florence Nationality: Italian Notable Works: The Last Supper A story of blue A Tour of the Metropolitan Museum of Art - MET
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The Collection Robert Lehman Collection Madonna and Child Workshop of Ugolino da Siena (Ugolino di Nerio) Italian ca. 1325 On view at The Met Fifth Avenue in Gallery 952 Ugolino was a pupil of Duccio, the preeminent painter in fourteenth-century Siena and a pivotal figure in early Renaissance art. Ugolino di Nerio was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327. He was a follower of Duccio di Buoninsegna, from whose Maestà some of. In the present day the Crucifixion is considered to be one of Ugolino di Nerio's finest works from his mature period, imbued with the spirituality and emotion typical of his art. Ugolino di Nerio was one of the most important painters in Siena and Florence in the early 14th century. He received prestigious commissions for churches and this small work was likely part of a.
David by UGOLINO DI NERIO
Ugolino di Nerio. The Metropolitan Museum of Art New York City, United States. Download this artwork (provided by The Metropolitan Museum of Art). Learn more about this artwork. Details. Title: The Last Supper; Creator: Ugolino da Siena (Ugolino di Nerio) Date Created: ca. 1325-30; The Crucifixion Attributed to Ugolino da Siena Italian ca. 1315-20 On view at The Met Fifth Avenue in Gallery 601 Famous in Florence as well as Siena, Ugolino was a close follower of Duccio di Buoninsegna, from whom he derived his remarkable sense of color and use of gesture and expression, creating an effect at once lyrical and tragic.
Overview Provenance References Title: Saint Matthew Artist: Ugolino da Siena (Ugolino di Nerio) (Italian, Siena, active by 1317-died ?1339/49) Date: ca. 1330-1335 Medium: Tempera on wood, gold ground Dimensions: 15 1/8 x 12 3/4 in. (38.4 x 32.4 cm) Classification: Paintings Credit Line: Robert Lehman Collection, 1975 Accession Number: 1975.1.6 Ugolino di Nerio ( Siena, 1280 circa - 1330 - 1335) è stato un pittore italiano attivo a Siena del quale si hanno notizie solo dal 1317 al 1327 .
CategoryUgolino di Nerio Wikimedia Commons Buddha statue, Statue, Painting
Overview / In-depth These panels were once part of a large altarpiece which adorned the high altar of the church of Santa Croce in Florence. It focused on the Passion of Christ (his torture and crucifixion) and the Resurrection - an appropriate theme, as the church was dedicated to the Holy Cross. In the past, the work has been attributed to Duccio di Buoninsegna, the founder of the fourteenth-century Sienese school of painting, but is more likely to be the work of one of his close followers and collaborators: Ugolino di Nerio. Ugolino was perhaps the most faithful interpreter of the Duchy's artistic style, whose sophisticated elegance.
