1927 Classification Paintings Medium Oil, fabricated chalk, and graphite pencil on composition board Dimensions Overall: 35 15/16 × 30in. (91.3 × 76.2 cm) Accession number 31.172 Credit line Whitney Museum of American Art, New York; purchase, with funds from Gertrude Vanderbilt Whitney Rights and reproductions © artist or artist's estate API My Egypt is a 1927 painting by the American artist Charles Demuth. [1] It depicts a grain elevator from the artist's hometown of Lancaster, Pennsylvania, and is considered a "masterpiece" and "emblem" of the Precisionist art movement. [2] Background
Charles Demuth (18831935). My Egypt, 1927. Oil on composition board, 353/4 x 30 in. (90.8 x 76
Charles Demuth Date: 1927 Style: Precisionism Series: Architecture of Lancaster Genre: cityscape Media: oil, chalk, graphite, board Location: Whitney Museum of American Art, New York City, NY, US Order Oil Painting reproduction Charles Demuth Charles Demuth American Painter Born: November 8, 1883 - Lancaster, Pennsylvania Died: October 23, 1935 - Lancaster, Pennsylvania Movements and Styles: Early American Modernism , Precisionism , Impressionism , Queer Art Charles Demuth Summary Accomplishments Important Art Biography Influences and Connections Useful Resources My Egypt is a 1927 painting by the American artist Charles Demuth. It depicts a grain elevator from the artist's hometown of Lancaster, Pennsylvania, and is considered a "masterpiece" and "emblem" of the Precisionist art movement. 291 © 2024 Khan Academy Charles Demuth, I Saw the Figure 5 in Gold Precisionism Left: Charles Demuth, After Sir Christopher Wren, 1920, watercolor, gouache, pencil on cardboard; 60.5 x 51 cm (Metropolitan Museum of Art) Right: Charles Demuth, My Egypt, 1927. oil on fiberboard, 90.8 × 76.2 cm (Whitney Museum of American Art)
Charles Demuth My Egypt (1927) r/museum
Charles Demuth, My Egypt, 1927 From America Is Hard to See. Apr 29, 2015 0:00. Charles Demuth, My Egypt, 1927. 0:00. Previous Play Next Transcript. Narrator: Adam Weinberg is Alice Pratt Brown Director of the Whitney Museum. And now here's a verbal description of Demuth's My Egypt. It's a painting done in oil and graphite on composition board. It's 3 feet tall and 2 and a half feet wide. Demuth painted the grain elevator as though you're looking up at it from the ground. So it appears like a white monument rising high against a blue sky. My Egypt, 1927 Charles Demuth Charles Demuth's final series of paintings, begun in 1927, depict industrial buildings in his hometown of Lancaster, Pennsylvania. Details Title: My Egypt Creator Lifespan: 1883/1935 Creator Gender: Male Date Created: 1927 Physical Dimensions: w30 x h35.9375 in (Overall) Credit Line: Whitney Museum of American Art, New.
My Egypt, 1927 Industrial Architecture Painting Print Wall Art By Charles Demuth
Charles Henry Buckius Demuth (November 8, 1883 - October 23, 1935) was an American painter who specialized in watercolors and turned to oils late in his career, developing a style of painting known as Precisionism . M Y EGYPT BY CHARLES DEMUTH are nearly as cryptic as Demuth's own elusive title.3 (1883-1935) remains one of The the exception great was Alfred Stieglitz. A statement enigmas of American art (fig. issued 1). in 1935 This by Stieglitz's An American Place gal-
Charles Demuth, a Precisionist artist, painted "My Egypt" in 1927. The painting depicts the Lancaster grain elevator where he grew up, and is part of his Architecture of Lancaster series. Demuth was known for incorporating Cubist and Futurist techniques into his paintings of American factories and cities. My Egypt by American artist Charles Demuth is a prime example of Precisionism, a uniquely American modern art movement of the 1920s which incorporated elements of Cubism (geometrical shapes and fractured planes) and Futurism (emphasis on modern technology).
Patrimonio Industrial Arquitectónico Arte e Industria "My Egypt", Charles Demuth
A brief exploration of Charles Demuth's My EgyptTwitter: https://twitter.com/ARTHIST_101 In the 1920s, Charles Demuth ( 1883 - 1935) painted a remarkable series of "Poster Portraits" depicting friends and fellow artists. Rather than capturing a physical likeness, these works conveyed the subject's character through arrangements of commonplace objects rendered in the crisp style of advertisements.
