The MD421 is most often seen on toms or even used for vocals, so it may seem an odd choice for a bass drum mic. While I like the idea of having this mic, I have to think about it's real practical application in my case, which would probably be kick drum, since I don't do much acoustic stuff.there's not much of it out here anyway.
Kick drum mic shootout Alien8, B52, e602, MD421, CM47fet YouTube
Kick Drum! What are some fun miking techniques or microphones you use for the kick drum? Here's a few of mine: -MD421 in-kick and AT 4033 out-kick with a u67 about 4 feet back level with the kick. -Build a tunnel with foam gobos around the kick leading out. # 1 Worlez 🎙️ Lives for gear 🎧 15 years Kick drum - md421 vs d12e I've always liked the md421 on kick and know it's sound very well. What does the d12e sound like in contrast? Cheers Al Share Reply Quote 2nd January 2011 # 2 Drumsound Gear Guru My Studio 🎧 20 years Posted February 14, 2006. We had a small gig this weekend where we had to provide the PA and my drummer decided to rent a MD421 for his bass drum just for kick (pun intended). I was pleasantly surprised. I did have to boost the lows a bit, but the result was a really tight sound that had just the right balance of thump and click (technical. PROS Constructed to last a lifetime Built to handle high sound pressure levels Extremely accurate and versatile CONS Included mic stand adapter is a bit brittle 9.3 OUR SCORE READ REVIEWS Guitar Center Learn about the history of the MD 422-II Find out why this model is one of the most versatile dynamic microphones
Session Notes Tracking Drums With The Travis Waltons
The Sennheiser MD421 is a notorious mic with near-perfectly engineered components - its sound and reputation precede it. MD421 II is the next model of one of the most popular dynamic mics on the market. It remains largely the same as the original version, but it's been given a stronger make-over. A simple budget way to mic drums would be something like your MD421 on kick, the SM57 on snare and two MC-012's X/Yed as overheads. May times I prefer a M201 on snare top and a 57 or something on the bottom (flip the phase). and D112 almost outside of the kick with a MD421 on the inside close to the hammer striking point and MC-012's as. In addition, I set up an MD421 and a KM84 over the top of the kick drum pointing down at the batter head's beater-contact point, along the lines suggested by Robbie Adams and Steve Albini. External miking positions aren't just for when the inside of the drum is inaccessible, though; combining the signals from internal and external mics is. Sennheiser M421 as a kick mic? I'm looking for a kick mic, but also something that might have other uses as well. The M421 seems to be regarded as a good all around mic, I would also want to use it on elec guitar amps.
UCI Sound Design May 2012
The Sennheiser MD421 comes in a softish hardbox. It comes with a clip mount that attaches to the mic by sliding in a groove on the bottom of the mic.. When using it for vocal's it never get's in the way, but try to use it on tom's or kick drum, and you gotta be really careful not to knock it off the clip when adjusting, which sucks because. The mic is fantastic with floor toms, picking up the bass with incredible clarity, and works equally as well on the snares, rack toms, and kick drums.
236 Share 17K views 4 years ago Kick drum mic comparison. On the first half of the video you'll hear only the kick mic with no EQ / compression. On the second half there's a drum buss mix. The MD 421-II's full-bodied cardioid pattern and five-position bass control mean it's an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it's a classic. More Details $ 429 .00 As low as $9 /month with 48 month financing* See all payment options Add to Cart
UCI Sound Design May 2012
The Sennheiser MD421 is a favorite on floor toms for its low-end response. Some engineers like to use a kick drum mike, such as AKG's D112 or Audix's D4 or D6, on the floor tom for extra low-end oomph. Place the mike about 2″ above the drumhead, about two inches in from the rim opposite the player. Angle the capsule down toward the head. João Lebre / UPDATED May 29, 2023 SHARE THIS: If you need new drum mics or don't know what to buy, you've come to the right place! There are so many mics on the market. In this article, you'll find recommendations to help you sort through and narrow down your options.
