One of the most enigmatic and underappreciated architects of the 20th century, Carlo Scarpa (June 2, 1906 - November 28, 1978) is best known for his instinctive approach to materials, combining. Carlo Scarpa (2 June 1906 - 28 November 1978) was an Italian architect and designer. He was influenced by the materials, landscape, and history of Venetian culture, as well as that of Japan. [1]
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Artworks Events News Carlo Scarpa was an Italian architect and designer whose enigmatic works combined the influences of Venetian architecture, Japanese aesthetics, and Modernism. Scarpa's compelling furniture, housewares, and buildings, evinced his myriad tastes and interest in history. The project is located in northern Italy, in the village of San Vito d'Altivole, near Treviso. Scarpa designed it for the Brion family, commissioned by Onorina Brion after the death of her husband. Published on June 15, 2023 Share Even as a child, the Venetian architect Carlo Scarpa was very aware of the fundamental element that would describe and underpin his work many years later: water. the Carlo Scarpa drawings from the Anfodillo carpentry workshop and held in the Museum für Angenwandte Kunst ( MAK) of Vienna The drawings can be consulted online by registered users, free of charge and without restrictions, apart from acceptance of the conditions of use. Consultation of database
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Unseen drawings of Carlo Scarpa's Villa Ottolenghi - Architectural Review. Since 1896, The Architectural Review has scoured the globe for architecture that challenges and inspires. Buildings old and new are chosen as prisms through which arguments and broader narratives are constructed. In their fearless storytelling, independent critical. Written by Kaley Overstreet Published on March 28, 2023 Share Natural light is one of the most critical elements in architecture. Although unbuilt and difficult to control, it plays a crucial part. In this article, I show that the work of the Venetian architect Carlo Scarpa has its roots in the classical theory of proportions. I examine two drawings to demonstrate how Scarpa applies harmonic proportions to a museum space, and the close ties between it and the artworks on display. Carlo Scarpa (1906-1978) - Architectural Review Since 1896, The Architectural Review has scoured the globe for architecture that challenges and inspires. Buildings old and new are chosen as prisms through which arguments and broader narratives are constructed.
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Who Was Carlo Scarpa? His reimagining of ancient public buildings made him an Italian icon, but the 20th-century architect is perhaps best understood through the private homes he designed. Featured Media On view at The Met Fifth Avenue in Rigati e tessuti glass pieces designed by Carlo Scarpa for Venini, ca. 1938-1940. Private collection; Chiara and Francesco Carraro Collection, Venice; European Collection The exhibition is made possible in part by the Jane and Robert Carroll Fund.
Carlo Scarpa (June 2nd, 1906 - November 28th, 1978) was an Italian architect and designer heavily influenced by the history of Venetian culture, materials and landscape. in 1926 obtained his diploma of Professor in Architectural Drawing at the Royal Academy of Fine Art in Venice. Carlo Scarpa Italian, 1906-1978 Following Follow 592 Follower s Famed Italian architect Carlo Scarpa, best known for his subtle use of materials and light, was also a glass and furniture designer. Bringing together his love of materials and attention to detail, Scarpa's furniture designs are elegantly subtle and. Read more
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Carlo Scarpa studying the drawings of Frank Lloyd Wright, March 1954. Photo: Public domain (wikimedia commons) Whether Scarpa was working with water, the expressive potential of concrete or the luminosity of glass (he served as artistic director of Venini glass in Murano from 1932-46), his designs initiated a dialogue between ancient and modern. 1. Olivetti Showroom, Venice | Architect Carlo Scarpa Located on the northern edge of Piazza San Marco, Scarpa masterfully transforms a long, dark alley into a light, comfortable retail space. The brief was to spatially translate the company's reputation for its attention to design in manufacturing typewriters and calculators.
