Sony 1650mm F/3.55.6 PZ OSS Lens Review ePHOTOzine

Pros Light and compact. Quick, quiet autofocus. Stabilized optics. Minimal focus breathing. Cons Audible zoom motor. Omits dust and splash protection. Edges never sharpen, even when stopped down.. The Sony 16-50mm f/3.5-5.6 is a kit lens, which means that it generally comes bundled with a camera. In this case, we're talking about Sony APS-C cameras, such as the Sony a6400. Kit lenses are designed to be fairly cheap, which means compromises-in terms of build quality and image quality.

Sony 1650mm F/3.55.6 PZ OSS Lens Review Performance ePHOTOzine

Create. Sony 16-50mm f/3.5-5.6 PZ OSS Handling and Features The lens is tiny and light, weighing in at just 116g. There is no weather resistance, which is a shame. There is also. The Sony E PZ 16-50mm F3.5-5.6 OSS lens has quite a wide focus ring. There are no hard stops at both ends of the range, making it a little more difficult to set focus at infinity. Polariser users should be pleased that the 49mm filter thread doesn't rotate on focus. Measuring just 3/16" (29.9mm) when fully retracted, the Sony E 16-50mm F3.5-5.6 PZ retractable zoom lens is extremely compact, making it perfect for traveling and everyday use on Sony's NEX interchangeable lens cameras. Compared Recommendations Flowers, 29 March 2016. Sony A6300, Sony PZ 16-50mm OSS at 44mm, f/8 at 1/320 at Auto ISO 1000, Perfectly Clear v2 .) bigger or © camera-original file to explore on your computer (mobile devices rarely display the full resolution accurately). In this case, not all the flowers are in focus.

Sony 1650mm F/3.55.6 PZ OSS Lens Review ePHOTOzine

The Sony E 16-50mm f/3.5-5.6 PZ OSS is an E-mount zoom lens that's frequently bundled as a kit lens with several Sony NEX-series compact system cameras such as the NEX-6. John Riley has been putting the compact Sony 16-50mm F/3.5-5.6 PZ OSS power zoom lens to the test, paired with the 24MP Sony ZV-E10. This is the popular, and impressively small and feature-packed, kit lens for Sony mirrorless APS-C cameras. Its optics have a difficult reputation - let's do. The Sony E 16-50mm f/3.5-5.6/PZ OSS lens is priced at £279, but can be available for considerably less when split from kits and sold as "unboxed". There are of course many alternatives for.

Sony E 1650mm f/3.55.6 PZ OSS Review

Side view of the SELP1650 16-50mm f/3.5-5.6 Power Zoom lens, showing its compact size. (Source: Sony.) Like many recent lenses for compact system cameras (CSCs), this lens includes a power zoom setting that provides motorised control over its focal length via a slider on the side of the barrel or the zoom collar on the α5000's shutter release. Product Images Owner's Manual Buy Now Rent by Bryan Carnathan Load Comparison Images I was ordering a Sony Alpha 6700 . This camera was available in a kit with the tiny Sony E PZ 16-50mm F3.5-5.6 OSS Lens for only $100.00 more. As the lens individually sells for $298.00, it seemed like a good deal. The Sony E 16-50mm f/3.5-5.6 OSS PZ is a pancake zoom lens for the Sony NEX system (E-mount). It is an extremely small lens especially considering its highly interesting focal length range. That said, this is only part of the story. The lens is only small in "transport mode". Enter the Sony 16-50mm f/3.5-5.6 PZ OSS - an image stabilised power zoom that covers a 35mm equivalent focal range of 24-75mm yet collapses down to a size reminiscent of pancake lenses. In many ways, this is the lens many Sony NEX users have been waiting for. It's small, lightweight, easy to operate and commendably fast to focus.

Sony E 1650mm f/3.55.6 PZ OSS Review

The Sony E PZ 16-50mm F3.5-5.6 OSS ($299.99) is the standard kit lens for the company's APS-C mirrorless camera line, which includes the popular a6000 series. The zoom is one of the smallest and. Vignetting The above behavior also applies to the vignetting characteristic. With DEACTIVATED distortion (& vignetting) compensation, the figures are among the very worst we have ever tested (5EV at 16mm f/3.5). The corners are essentially black here. The vignetting remains unacceptable even at f/11 at the wide end of the zoom range.